Triple

T12420791
Position Surface form Disambiguated ID Type / Status
Subject Rachel Elkind E296763 entity
Predicate notableWork P4 FINISHED
Object The Shining (film score) E725843 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Shining (film score) | Statement: [Rachel Elkind, notableWork, The Shining (film score)]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: The Shining (film score)
Context triple: [Rachel Elkind, notableWork, The Shining (film score)]
  • A. The Shining (film score) chosen
    The Shining (film score) is the atmospheric and experimental electronic soundtrack composed by Wendy Carlos for Stanley Kubrick’s 1980 horror film The Shining.
  • B. Poltergeist (1982 film score)
    Poltergeist (1982 film score) is a renowned horror film soundtrack composed by Jerry Goldsmith, celebrated for its haunting orchestral themes and innovative use of sound to heighten supernatural terror.
  • C. The Dark Tower (film score)
    The Dark Tower (film score) is a cinematic soundtrack composed by Tom Holkenborg (Junkie XL) that blends dark orchestral textures with electronic elements to accompany the 2017 fantasy western film adaptation of Stephen King’s novel series.
  • D. The Shawshank Redemption (film score)
    The Shawshank Redemption (film score) is a critically acclaimed, atmospheric musical soundtrack by composer Thomas Newman that underscores the film’s themes of hope, friendship, and perseverance.
  • E. Close Encounters of the Third Kind film score
    The "Close Encounters of the Third Kind" film score is John Williams’s landmark, thematically rich orchestral soundtrack renowned for its innovative use of a five-note motif to communicate with extraterrestrials.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d6ada0640c81908c061d7fb3d47786 completed April 8, 2026, 7:33 p.m.
NER Named-entity recognition batch_69d94d6efd748190a5d9396a343e41e1 completed April 10, 2026, 7:20 p.m.
NED1 Entity disambiguation (via context triple) batch_69f634933b9881909fd592ede7c3e49c completed May 2, 2026, 5:29 p.m.
Created at: April 8, 2026, 9:55 p.m.