Triple
T12377427
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Dalida |
E295159
|
entity |
| Predicate | notableWork |
P4
|
FINISHED |
| Object | "J’attendrai" |
E148334
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: "J’attendrai" | Statement: [Dalida, notableWork, "J’attendrai"]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: "J’attendrai" Context triple: [Dalida, notableWork, "J’attendrai"]
-
A.
J’attendrai (recording)
chosen
"J’attendrai" is a famous French song recording popularized by singer Tino Rossi, widely associated with the World War II era and themes of longing and waiting.
-
B.
J’attendrai, le jour et la nuit
"J’attendrai, le jour et la nuit" is the famous French refrain from the classic song "J’attendrai," known for its theme of steadfast waiting and longing.
-
C.
L’Attente l’oubli
L’Attente l’oubli is a fragmentary, experimental prose work by Maurice Blanchot that explores themes of waiting, absence, and the impossibility of communication through elliptical dialogues and meditative reflections.
-
D.
Voulez-Vous
"Voulez-Vous" is a disco-driven ABBA song known for its energetic rhythm and prominent use in the musical and film adaptation of Mamma Mia!.
-
E.
Je te veux
"Je te veux" is a popular early 20th-century French waltz-song composed by Erik Satie, known for its sensual melody and cabaret origins.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6ab6d8a4081908636601e69ddf262 |
completed | April 8, 2026, 7:24 p.m. |
| NER | Named-entity recognition | batch_69d93fb8d6c081909e8bbbd52c73f29c |
completed | April 10, 2026, 6:21 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f62ac3c9f081909cd55f966ab6b465 |
completed | May 2, 2026, 4:48 p.m. |
Created at: April 8, 2026, 9:54 p.m.