Triple
T12258655
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Mood |
E292165
|
entity |
| Predicate | genre |
P14
|
FINISHED |
| Object | Afropop |
E9158
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Afropop | Statement: [Mood, genre, Afropop]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Afropop Context triple: [Mood, genre, Afropop]
-
A.
Afrobeat
Afrobeat is a Nigerian music genre pioneered by Fela Kuti that fuses West African rhythms with jazz, funk, and highlife, characterized by complex grooves, extended instrumental sections, and politically charged lyrics.
-
B.
Black Music
Black Music is a seminal collection of essays and criticism by Imamu Amiri Baraka that explores the aesthetics, politics, and cultural significance of African American music, particularly jazz, in the 1960s.
-
C.
African Rhythms
"African Rhythms" is a jazz-influenced hip-hop track by J Dilla from his debut studio album "Welcome 2 Detroit."
-
D.
Afrobeats
chosen
Afrobeats is a contemporary West African music genre that blends elements of traditional African rhythms with hip-hop, dancehall, and pop, and has become a major global sound.
-
E.
Africa/Brass
Africa/Brass is a landmark 1961 jazz album by John Coltrane, noted for its rich orchestral arrangements and expansive, modal explorations.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6ab6856488190b5d31178d5015f8e |
completed | April 8, 2026, 7:24 p.m. |
| NER | Named-entity recognition | batch_69d91ccadc3c81908fe68adc3fdcc851 |
completed | April 10, 2026, 3:52 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69f61e63da6081908840b1e37fd39b88 |
completed | May 2, 2026, 3:55 p.m. |
Created at: April 8, 2026, 9:52 p.m.