Triple

T11717290
Position Surface form Disambiguated ID Type / Status
Subject Contrapunctus V E278531 entity
Predicate relatedWork P37 FINISHED
Object Contrapunctus I E935922 NE FINISHED

How this triple was built (2 steps)

Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.

NER Named-entity recognition gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Contrapunctus I | Statement: [Contrapunctus V, relatedWork, Contrapunctus I]
NED1 Entity disambiguation (via context triple) gpt-5-mini-2025-08-07
Target entity: Contrapunctus I
Context triple: [Contrapunctus V, relatedWork, Contrapunctus I]
  • A. Contrapunctus I chosen
    Contrapunctus I is the opening fugue of Johann Sebastian Bach’s *The Art of Fugue*, introducing the principal subject that underpins the entire collection.
  • B. Contrapunctus VII
    Contrapunctus VII is one of the complex fugues from J.S. Bach’s unfinished masterpiece *The Art of Fugue*, notable for its intricate contrapuntal writing and learned style.
  • C. Contrapunctus VI
    Contrapunctus VI is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its dense contrapuntal writing and expressive, learned style.
  • D. Contrapunctus II
    Contrapunctus II is one of Johann Sebastian Bach’s intricate fugues from The Art of Fugue, notable for its lively rhythmic character and contrapuntal complexity.
  • E. Contrapunctus III
    Contrapunctus III is one of Johann Sebastian Bach’s intricate fugues from *The Art of Fugue*, showcasing his exploration of contrapuntal variation on a single musical theme.
  • F. None of above.
  • G. Unsure - the case is ambiguous/there is not enough information to decide.

Provenance (3 batches)

The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.

Step Stage Batch ID Status When
creating Elicitation batch_69d6aaff2ce88190b4a1e4b341ad5377 completed April 8, 2026, 7:22 p.m.
NER Named-entity recognition batch_69d8a4c10d988190842acd824135cf15 completed April 10, 2026, 7:20 a.m.
NED1 Entity disambiguation (via context triple) batch_69f1306859208190bc5d0b4f81fb1bff completed April 28, 2026, 10:10 p.m.
Created at: April 8, 2026, 9:40 p.m.