Triple
T11475041
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | D minor (BWV 1004) |
E272004
|
entity |
| Predicate | associatedMovement |
P37
|
FINISHED |
| Object |
Ciaccona
Ciaccona is the monumental final movement of J.S. Bach’s Partita No. 2 for solo violin, renowned for its profound emotional depth and intricate variations over a repeating harmonic pattern.
|
E927483
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Ciaccona | Statement: [D minor (BWV 1004), associatedMovement, Ciaccona]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Ciaccona Context triple: [D minor (BWV 1004), associatedMovement, Ciaccona]
-
A.
Recondita armonia
"Recondita armonia" is a celebrated tenor aria from Giacomo Puccini’s opera *Tosca*, sung by the painter Mario Cavaradossi as he reflects on the contrasting beauty of two women.
-
B.
Concerto da Chiesa
Concerto da Chiesa is an orchestral work by British composer George Dyson that reflects his lyrical, tonal style and affinity for traditional forms.
-
C.
Cantate da camera
Cantate da camera are Italian Baroque chamber cantatas, typically for solo voice with continuo, that showcase Alessandro Scarlatti’s expressive vocal writing and refined small-scale dramatic style.
-
D.
Contrapunctus XI
Contrapunctus XI is one of the more complex and richly developed fugues from J.S. Bach’s unfinished masterpiece *The Art of Fugue*, notable for its intricate contrapuntal writing and expressive intensity.
-
E.
Contrapunctus III
Contrapunctus III is one of Johann Sebastian Bach’s intricate fugues from *The Art of Fugue*, showcasing his exploration of contrapuntal variation on a single musical theme.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: Ciaccona Triple: [D minor (BWV 1004), associatedMovement, Ciaccona]
Generated description
Ciaccona is the monumental final movement of J.S. Bach’s Partita No. 2 for solo violin, renowned for its profound emotional depth and intricate variations over a repeating harmonic pattern.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Ciaccona Target entity description: Ciaccona is the monumental final movement of J.S. Bach’s Partita No. 2 for solo violin, renowned for its profound emotional depth and intricate variations over a repeating harmonic pattern.
-
A.
Recondita armonia
"Recondita armonia" is a celebrated tenor aria from Giacomo Puccini’s opera *Tosca*, sung by the painter Mario Cavaradossi as he reflects on the contrasting beauty of two women.
-
B.
Concerto da Chiesa
Concerto da Chiesa is an orchestral work by British composer George Dyson that reflects his lyrical, tonal style and affinity for traditional forms.
-
C.
Cantate da camera
Cantate da camera are Italian Baroque chamber cantatas, typically for solo voice with continuo, that showcase Alessandro Scarlatti’s expressive vocal writing and refined small-scale dramatic style.
-
D.
Contrapunctus XI
Contrapunctus XI is one of the more complex and richly developed fugues from J.S. Bach’s unfinished masterpiece *The Art of Fugue*, notable for its intricate contrapuntal writing and expressive intensity.
-
E.
Contrapunctus III
Contrapunctus III is one of Johann Sebastian Bach’s intricate fugues from *The Art of Fugue*, showcasing his exploration of contrapuntal variation on a single musical theme.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6aae0c8d881908a5a360c0be3242e |
completed | April 8, 2026, 7:22 p.m. |
| NER | Named-entity recognition | batch_69d8294c8dc48190a515f83c99405a3b |
completed | April 9, 2026, 10:33 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69e5e95a479c81909a330c9721bd3902 |
completed | April 20, 2026, 8:52 a.m. |
| NEDg | Description generation | batch_69e5f15a50b881908d0930021833ae74 |
completed | April 20, 2026, 9:26 a.m. |
| NED2 | Entity disambiguation (via description) | batch_69e5f88f16748190826a7fc5d27019d7 |
completed | April 20, 2026, 9:57 a.m. |
Created at: April 8, 2026, 9:36 p.m.