Triple
T11333455
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Let Me Up (I’ve Had Enough) |
E268406
|
entity |
| Predicate | hasTrack |
P3284
|
FINISHED |
| Object |
The Damage You’ve Done
"The Damage You’ve Done" is a song by Tom Petty and the Heartbreakers from their 1987 rock album "Let Me Up (I’ve Had Enough)."
|
E918196
|
NE FINISHED |
How this triple was built (4 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: The Damage You’ve Done | Statement: [Let Me Up (I’ve Had Enough), hasTrack, The Damage You’ve Done]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Damage You’ve Done Context triple: [Let Me Up (I’ve Had Enough), hasTrack, The Damage You’ve Done]
-
A.
I’m Not Worth the Hurt
"I’m Not Worth the Hurt" is a song by Sheena Easton featured on her 1981 album *You Could Have Been with Me*.
-
B.
It Hurts Me Too
"It Hurts Me Too" is a blues standard, most famously recorded by Elmore James, that has become a widely covered and influential song in the genre.
-
C.
Why You Hurt Me
"Why You Hurt Me" is a song by Missy "Misdemeanor" Elliott from her influential 1997 debut album Supa Dupa Fly.
-
D.
Come Undone
"Come Undone" is a 2003 pop-rock single by British singer Robbie Williams, known for its dark, introspective lyrics and controversial music video.
-
E.
Come Undone
"Come Undone" is a 1993 hit single by British band Duran Duran, known for its atmospheric production and sultry, melancholic vocals.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NEDg
Description generation
gpt-5.1
Instruction
Generate a one-sentence description of the target entity. You are given a context triple in the form (subject, predicate, object), where the object is the target entity. # Instructions Use the triple to infer relevant information about the entity. Describe the entity based on what is most defining, well-known. Avoid repeating the information from the triple, unless really essential. # Response Format Return only the sentence: "Description: [one-sentence description of the target entity]"
Input
Entity: The Damage You’ve Done Triple: [Let Me Up (I’ve Had Enough), hasTrack, The Damage You’ve Done]
Generated description
"The Damage You’ve Done" is a song by Tom Petty and the Heartbreakers from their 1987 rock album "Let Me Up (I’ve Had Enough)."
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Damage You’ve Done Target entity description: "The Damage You’ve Done" is a song by Tom Petty and the Heartbreakers from their 1987 rock album "Let Me Up (I’ve Had Enough)."
-
A.
I’m Not Worth the Hurt
"I’m Not Worth the Hurt" is a song by Sheena Easton featured on her 1981 album *You Could Have Been with Me*.
-
B.
It Hurts Me Too
"It Hurts Me Too" is a blues standard, most famously recorded by Elmore James, that has become a widely covered and influential song in the genre.
-
C.
Why You Hurt Me
"Why You Hurt Me" is a song by Missy "Misdemeanor" Elliott from her influential 1997 debut album Supa Dupa Fly.
-
D.
Come Undone
"Come Undone" is a 2003 pop-rock single by British singer Robbie Williams, known for its dark, introspective lyrics and controversial music video.
-
E.
Come Undone
"Come Undone" is a 1993 hit single by British band Duran Duran, known for its atmospheric production and sultry, melancholic vocals.
- F. None of above. chosen
Provenance (5 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69d6aacb1f0881908c84a349fd1be047 |
completed | April 8, 2026, 7:21 p.m. |
| NER | Named-entity recognition | batch_69d7e9fe5d5881908d786b212a554d8b |
completed | April 9, 2026, 6:03 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69e5263160548190adb7d5c0fd6af0e2 |
completed | April 19, 2026, 7 p.m. |
| NEDg | Description generation | batch_69e52c83768c819086ebfd870ad81998 |
completed | April 19, 2026, 7:26 p.m. |
| NED2 | Entity disambiguation (via description) | batch_69e531d0ab5881909814160b86c8e76b |
completed | April 19, 2026, 7:49 p.m. |
Created at: April 8, 2026, 9:33 p.m.