Triple
T1092628
| Position | Surface form | Disambiguated ID | Type / Status |
|---|---|---|---|
| Subject | Jean-François Millet |
E24198
|
entity |
| Predicate | residence |
P75
|
FINISHED |
| Object | Barbizon |
E30146
|
NE FINISHED |
How this triple was built (2 steps)
Every LLM step that produced this triple, in pipeline order — named-entity classification, the disambiguation choices (the exact options shown, with the pick highlighted), and the generated description. The batch + timestamp of each is in the Provenance table below.
NER
Named-entity recognition
gpt-5-mini
Instruction
Given a phrase, classify it is english named entity (e.g., persons, organizations, works of art) in Latin script, or not (e.g., literals, dates, URLs, verbose phrases). For disambiguation, the statement where the phrase occurs as object is also given. Please return a JSON object with `phrase` (string, the phrase being analyzed) and `is_ne` (boolean, indicating whether the phrase is a Named Entity).
Input
Phrase: Barbizon | Statement: [Jean-François Millet, residence, Barbizon]
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Barbizon Context triple: [Jean-François Millet, residence, Barbizon]
-
A.
Les Nabis
Les Nabis were a late 19th-century group of French avant-garde artists who sought to synthesize symbolism, decorative art, and spiritual themes into a new, modern visual language.
-
B.
Barbizon school
chosen
The Barbizon school was a mid-19th-century French art movement centered on naturalistic landscape painting and rural life, which helped pave the way for Impressionism.
-
C.
Lorrain
Lorrain is a Romance regional language spoken in parts of eastern France and neighboring areas of Belgium, including the Walloon region.
-
D.
Île de la Grande Jatte
Île de la Grande Jatte is a small island in the River Seine near Paris, France, famed as the setting of Georges Seurat’s iconic pointillist painting "A Sunday Afternoon on the Island of La Grande Jatte."
-
E.
De Cézanne à Gauguin
De Cézanne à Gauguin is an art-critical work by Émile Bernard that reflects on and analyzes the painting and influence of Paul Cézanne and Paul Gauguin within the development of modern art.
- F. None of above.
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Provenance (3 batches)
The batch behind each pipeline step, in order, with when it ran. Timestamps are batch-level — stages were processed in waves, so the object chain (NER → NED1 → NEDg → NED2) reads in order, but predicate / elicitation batches can sit in a different wave.
| Step | Stage | Batch ID | Status | When |
|---|---|---|---|---|
| creating | Elicitation | batch_69a4940542308190ac2a0b1f730b7cfc |
completed | March 1, 2026, 7:31 p.m. |
| NER | Named-entity recognition | batch_69a4b99bd06c8190bce1d77b0337b07c |
completed | March 1, 2026, 10:11 p.m. |
| NED1 | Entity disambiguation (via context triple) | batch_69ac59a058b88190beb883bf35377316 |
completed | March 7, 2026, 5 p.m. |
Created at: March 1, 2026, 7:42 p.m.