hasReception
P939
predicate
Indicates that an entity hosts, includes, or is associated with a reception event (such as a formal gathering or welcoming function).
All labels observed (1)
| Label | Occurrences |
|---|---|
| hasReception canonical | 2,539 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: hasReception
Generated description
Indicates that an entity hosts, includes, or is associated with a reception event (such as a formal gathering or welcoming function).
Sample triples (2,539)
| Subject | Object |
|---|---|
| Bishop’s Countdown | critical acclaim among film music fans ⓘ |
| Bishop’s Countdown | frequent citation as a classic action cue ⓘ |
| Laboremus | noted for moral engagement ⓘ |
| Laboremus | recognized as characteristic of Bjørnson’s social concerns ⓘ |
|
She’s Gone
surface form:
She's Gone
|
critical acclaim for vocal performance ⓘ |
|
She’s Gone
surface form:
She's Gone
|
recognized as a classic Hall & Oates track ⓘ |
| Doo Be Doo | commercial success in South Africa ⓘ |
| Doo Be Doo | radio airplay hit in South Africa ⓘ |
| Breviloquium | used as a textbook in theological education ⓘ |
| Breviloquium | considered a classic of Franciscan theology ⓘ |
| Thot Shit | commercially successful ⓘ |
| Thot Shit | widely discussed on social media ⓘ |
| Matsuri | critically appreciated for its powerful, cinematic sound ⓘ |
| Matsuri | popular among new-age music listeners ⓘ |
| A Short Guide to a Happy Life | popular among book club readers ⓘ |
| A Short Guide to a Happy Life | frequently given as a gift book ⓘ |
| Jesus and the Word | considered seminal in Bultmann studies ⓘ |
| Jesus and the Word | widely discussed in 20th‑century theology ⓘ |
| The Swimming Song | cult favorite in Loudon Wainwright III catalog ⓘ |
| T Shirt | critical acclaim for songwriting ⓘ |
| The Kindly Ones | critically acclaimed as part of A Dance to the Music of Time ⓘ |
| I Hated, Hated, Hated This Movie | positive among readers of film criticism ⓘ |
| I Hated, Hated, Hated This Movie | noted for entertainment value ⓘ |
| Straight Talk on Trade | positively reviewed in academic and policy circles ⓘ |
| Aate Di Chiri | critically acclaimed in Punjabi literary circles ⓘ |
| Aate Di Chiri | widely regarded as one of Shiv Kumar Batalvi’s most poignant works ⓘ |
| Leave No Trace | critical acclaim ⓘ |
| Piano Concerto No. 2 | popular with audiences ⓘ |
| Piano Concerto No. 2 | frequently performed ⓘ |
| Piano Concerto No. 2 | considered less politically charged than some other Shostakovich works ⓘ |
| The Conservative Sensibility | received generally positive reviews in conservative media ⓘ |
| The Conservative Sensibility | received mixed reviews in more liberal outlets ⓘ |
| Kick-Ass (film score) | noted for energetic tone ⓘ |
| Kick-Ass (film score) | noted for blending genres ⓘ |
| On the Golden Porch | critical acclaim ⓘ |
| On the Golden Porch | international recognition ⓘ |
| Sleepwalker in a Fog | critically acclaimed ⓘ |
| Sleepwalker in a Fog | noted for stylistic originality ⓘ |
| Aetherial Worlds | critically acclaimed in literary circles ⓘ |
| Deep in a Dream | noted for its haunting melody ⓘ |
| Deep in a Dream | noted for its introspective mood ⓘ |
|
Personal History by Vincent Sheean
surface form:
Personal History
|
critical acclaim on publication ⓘ |
| A Grand, Grand Overture | popular as a novelty piece ⓘ |
| Girls at War and Other Stories | critically acclaimed in African literature studies ⓘ |
| I Go to Rio | positive critical response ⓘ |
| I Go to Rio | long-term audience popularity ⓘ |
| Hymn to Freedom | widely celebrated as an anthem of freedom and equality ⓘ |
| The Trio | critical acclaim ⓘ |
| The Trio | praised for ensemble interplay ⓘ |
| The Trio | praised for technical brilliance of piano ⓘ |