hasReception
P939
predicate
Indicates that an entity hosts, includes, or is associated with a reception event (such as a formal gathering or welcoming function).
All labels observed (1)
| Label | Occurrences |
|---|---|
| hasReception canonical | 2,539 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: hasReception
Generated description
Indicates that an entity hosts, includes, or is associated with a reception event (such as a formal gathering or welcoming function).
Sample triples (2,539)
| Subject | Object |
|---|---|
| Win Bigly | commercially successful ⓘ |
| Win Bigly | politically controversial ⓘ |
| Broken Monsters | critical acclaim ⓘ |
| Martin, ab in die Ecke und schäm Dich | controversial ⓘ |
| The Wuggly Ump | cult following ⓘ |
| The Object-Lesson | cult classic ⓘ |
| The Object-Lesson | critically acclaimed within Gorey’s oeuvre ⓘ |
| Alone in Iz World | critical acclaim for emotional depth ⓘ |
| Alone in Iz World | praise for vocal performance ⓘ |
| Alone in Iz World | praise for ukulele arrangements ⓘ |
| Proibido o Carnaval | popular Brazilian song ⓘ |
| List do matki | considered a classic of Violetta Villas’ repertoire ⓘ |
| Coronation | critically acclaimed in Chile ⓘ |
| Hell Has No Limits | critically acclaimed ⓘ |
| Dee Dee Ramone – Standing in the Spotlight | often regarded as a critical and commercial failure ⓘ |
| Zeitoun | critical acclaim upon release ⓘ |
| Epigrams | studied in modern classical scholarship ⓘ |
| Here Is New York | considered a classic essay about New York City ⓘ |
| Untilled | critical acclaim ⓘ |
| Jesus and the Disinherited | regarded as a classic of 20th-century American religious thought ⓘ |
| Jesus and the Disinherited | widely read in civil rights and social justice circles ⓘ |
| Sermons for the New Life | considered influential in American homiletics ⓘ |
| Always with Me, Always with You | critical acclaim among guitarists ⓘ |
| Achtung Jackass | cult following ⓘ |
| Westcott and Hort Greek New Testament | highly influential but also controversial among some textual critics ⓘ |
| The Chemistry of Tears | generally positive critical reviews ⓘ |
| Good Economics for Hard Times | bestseller ⓘ |
| Good Economics for Hard Times | critically acclaimed ⓘ |
| Wild Gremlinz | cult following in drum and bass scene ⓘ |
| My Brain Is Hanging Upside Down (Bonzo Goes to Bitburg) | considered one of Ramones’ notable political songs ⓘ |
| Shekhina (photography book) | controversial among some religious communities ⓘ |
| Shekhina (photography book) | praised for artistic exploration of Jewish themes ⓘ |
| I Was a Teenage Werewolf | cult classic ⓘ |
|
Love's Labour's Won (lost play)
surface form:
Love's Labour's Won
|
subject of extensive scholarly debate ⓘ |
| Plan of the Work | studied in history of philosophy ⓘ |
| Plan of the Work | studied in history of science ⓘ |
| Imaginary Day | critical acclaim for innovation and sound palette ⓘ |
| Hey Suburbia | cult favorite among punk fans ⓘ |
| Lucinde | considered a key text of early German Romanticism ⓘ |
| In Defense of Globalization | influential in debates on globalization ⓘ |
| In Defense of Globalization | widely cited in academic and policy circles ⓘ |
| Free Trade Today | influential in debates on trade policy ⓘ |
| Burst series | widely recognized as key works of Abstract Expressionism ⓘ |
| You Might Need Somebody | critically appreciated for vocal performance ⓘ |
| You Might Need Somebody | recognized as a classic R&B ballad ⓘ |
| Secret Combination | positive reviews from music critics ⓘ |
| Secret Combination | praise for vocal performance ⓘ |
| Secret Combination | praise for production quality ⓘ |
| Open series | renowned in modern art discourse ⓘ |
| Live at Blues Alley | critical acclaim ⓘ |