drives
P7364
predicate
Indicates that one entity operates and controls the movement of a vehicle or similar conveyance transporting themselves or others.
All labels observed (9)
| Label | Occurrences |
|---|---|
| drives canonical | 442 |
| associatedDriver | 35 |
| vehicleDriven | 13 |
| carDriven | 11 |
| droveCar | 8 |
| carBrandDriven | 4 |
| drove | 4 |
| operatesVehicle | 4 |
| drivesTaxiAt | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: drives
Generated description
Indicates that one entity operates and controls the movement of a vehicle or similar conveyance transporting themselves or others.
Sample triples (522)
| Subject | Object |
|---|---|
| Angela | emotional events of the story ⓘ |
| Angela | dramatic events of the story ⓘ |
| Latrice Butler | emotional core of Seven Seconds ⓘ |
| Latrice Butler | moral core of Seven Seconds ⓘ |
| Sean Boswell | Nissan Silvia S15 (initially, later rebuilt with a Mustang body) NERFINISHED ⓘ |
| Lester Burdon | tension in the story ⓘ |
| Lester Burdon | tragedy in the story ⓘ |
| Johnny Jesus | main conflict of Fools' Parade ⓘ |
| Hermann Lang | Mercedes-Benz W125 via predicate surface "drove" NERFINISHED ⓘ |
| Hermann Lang | Mercedes-Benz W154 via predicate surface "drove" NERFINISHED ⓘ |
| Hermann Lang | Mercedes-Benz W165 via predicate surface "drove" NERFINISHED ⓘ |
| Hermann Lang | Mercedes-Benz W196 via predicate surface "drove" NERFINISHED ⓘ |
| Ray Harroun | Marmon Wasp via predicate surface "carDriven" NERFINISHED ⓘ |
| Nabokumar | plot of the novel Kapalkundala ⓘ |
| The Mechanic | 1955 Chevrolet One-Fifty NERFINISHED ⓘ |
| GTO | yellow Pontiac GTO ⓘ |
| Sebastian Venable | psychological conflicts in Suddenly, Last Summer ⓘ |
| Sebastian Venable | moral conflicts in Suddenly, Last Summer ⓘ |
| Chuck Baxter | plot of Promises, Promises ⓘ |
| Jackson | plot of A Rage in Harlem ⓘ |
| Clayne Crawford as Martin Riggs | muchOfTheActionInLethalWeaponTVSeries ⓘ |
|
Dean-o
surface form:
Dean Winchester
|
1967 Chevrolet Impala NERFINISHED ⓘ |
| Kyle-Lee Watson | drama of the film Above the Rim ⓘ |
| Tom Garner | narrative of the film The Power and the Glory ⓘ |
| BRM | Graham Hill via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Stirling Moss via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Juan Manuel Fangio via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Niki Lauda via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Jackie Stewart via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Jo Siffert via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Pedro Rodríguez via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Tony Brooks via predicate surface "associatedDriver" NERFINISHED ⓘ |
| BRM | Reg Parnell via predicate surface "associatedDriver" NERFINISHED ⓘ |
| Captain Blasi | character dynamics in The Best of Enemies ⓘ |
| UK creative industries | cultural exports ⓘ |
| UK creative industries | tourism appeal of the UK ⓘ |
| Digger | emotional developments in The Hasty Heart ⓘ |
| Digger | dramatic developments in The Hasty Heart ⓘ |
| Perpetual rotor | mainspring barrel ⓘ |
| Felix Cooper | main narrative of "NW" ⓘ |
| Quentin Spivey | romantic comedy elements of The Best Man ⓘ |
| Mr. Toad | motorcar ⓘ |
| Mr. Toad | gypsy caravan ⓘ |
| Isabel Dodson | supernatural investigation ⓘ |
| Ruby | emotional conflict in King Hedley II ⓘ |
| General Director Preysing | moral conflict in Grand Hotel ⓘ |
| attention economy | design of recommendation algorithms ⓘ |
| attention economy | use of persuasive design ⓘ |
| attention economy | notification systems ⓘ |
|
Elizabeth
surface form:
Elizabeth (If/Then)
|
story progression in If/Then ⓘ |