compositionStyle
P71622
predicate
Indicates the characteristic manner or approach in which something is composed, such as its structural, aesthetic, or stylistic conventions.
Observed surface forms (2)
| Surface form | Occurrences |
|---|---|
| panelStyle | 1 |
| styleOfComposition | 1 |
Sample triples (62)
| Subject | Object |
|---|---|
| Several Circles | dynamic composition ⓘ |
| Spot Paintings | grid ⓘ |
| Dervish D | modern jazz ⓘ |
| Night and Sleep | mystical composition ⓘ |
| Oceania, the Sky | collage-like ⓘ |
| Oceania, the Sky | abstract ⓘ |
| Blue I | minimalist composition ⓘ |
| Acid Candy | tableau-like ⓘ |
| Acid Candy | cinematic framing ⓘ |
| Young Romance | traditional comic book panels via predicate surface "panelStyle" ⓘ |
| Lavender Mist | all-over composition ⓘ |
|
painting "Daphnephoria" by Frederic Leighton
surface form:
Daphnephoria
|
frieze-like arrangement of figures ⓘ |
|
The Rape of the Sabine Women (sculpture by Giambologna)
surface form:
The Rape of the Sabine Women (Giambologna sculpture)
|
spiraling composition ⓘ |
|
Resurrection
surface form:
Resurrection (Piero della Francesca)
|
symmetrical composition ⓘ |
| Les Vues d’Italie panoramic wallpaper | continuous panoramic scene ⓘ |
| Aerial Boundaries | complex harmonics and tapping ⓘ |
| Aerial Boundaries | use of open tunings ⓘ |
| Family Portraits | formally composed images ⓘ |
| Baptism (painting by Nicolas Poussin) | classical composition ⓘ |
|
The Last Supper by Tintoretto
surface form:
The Last Supper (Tintoretto)
|
diagonal composition ⓘ |
|
The Last Supper by Tintoretto
surface form:
The Last Supper (Tintoretto)
|
asymmetrical arrangement ⓘ |
| Van Gogh’s Auvers landscapes | dramatic diagonals ⓘ |
| Van Gogh’s Auvers landscapes | high horizons ⓘ |
| Veiled V | geometric ⓘ |
| The Alphabet Paintings series | complex spatial arrangements ⓘ |
| The Alphabet Paintings series | interlocking planes ⓘ |
| The Allegory of the Mechanical Arts | complex multi-figure composition ⓘ |
| Pietà with Saints | balanced ⓘ |
| Pietà with Saints | harmonious ⓘ |
| Attendants, Bears and Rocks | minimalist ⓘ |
| Attendants, Bears and Rocks | geometric organization ⓘ |
| The Archangel Michael Defeating Satan | dramatic ⓘ |
| The Archangel Michael Defeating Satan | dynamic ⓘ |
| You’re Dead! | genre-blending ⓘ |
| You’re Dead! | complex arrangements ⓘ |
| Cakes (1963) | orderly arrangement ⓘ |
| Pies, Pies, Pies (1961) | repetitive arrangement ⓘ |
| Pies, Pies, Pies (1961) | orderly grid-like layout ⓘ |
| Da Da Da | stripped-down arrangement ⓘ |
| Swing Landscape | fragmented forms ⓘ |
| Swing Landscape | overlapping planes ⓘ |
| Dead Christ with Angels | dramatic ⓘ |
| Dead Christ with Angels | emotionally charged ⓘ |
| Beautiful, amore, gasp, eyes going into the top of the head and fluttering painting | dynamic composition ⓘ |
| Beautiful, amore, gasp, eyes going into the top of the head and fluttering painting | abstract composition ⓘ |
| Counter-Composition V | diagonal composition ⓘ |
| Moraz–Bruford | complex time signatures ⓘ |
| Moraz–Bruford | improvisational elements ⓘ |
| Moraz–Bruford | acoustic and electric textures ⓘ |
| The ConstruKction of Light | polymetric structures ⓘ |