notableModernPerformancePractice
P68709
predicate
Indicates that the subject is recognized for a significant contemporary or historically informed way of performing a work, influencing how it is interpreted or executed in modern practice.
Observed surface forms (2)
- performancePracticeNote ×6
- modernPerformancePractice ×3
Sample triples (10)
| Subject | Object |
|---|---|
| Alcina | historically informed performance ⓘ |
| Beethoven Opus 131 | typically performed without breaks between movements via predicate surface "performancePracticeNote" ⓘ |
| Cara sposa | often sung by tenor via predicate surface "modernPerformancePractice" ⓘ |
| HWV 17 | castrato roles often sung by countertenors or mezzo-sopranos via predicate surface "modernPerformancePractice" ⓘ |
|
Robert Schumann: Humoreske in B-flat major, Op. 20
surface form:
Humoreske in B-flat major, Op. 20
|
often played without breaks between sections via predicate surface "performancePracticeNote" ⓘ |
| La sérénade interrompue | often played as part of the complete Préludes, Book I via predicate surface "performancePracticeNote" ⓘ |
| Le Gibet | bell tone usually maintained in the same register throughout via predicate surface "performancePracticeNote" ⓘ |
| Le Gibet | requires strict rhythmic steadiness via predicate surface "performancePracticeNote" ⓘ |
| Orlando (Handel) | Orlando role often sung by countertenor via predicate surface "modernPerformancePractice" ⓘ |
| The Speaker in Die Zauberflöte | often cast as a noble, older figure via predicate surface "performancePracticeNote" ⓘ |