usesHarmony
P63176
predicate
Indicates that one entity employs or incorporates harmony—such as coordinated or consonant combinations of elements—in relation to another entity or context.
Observed surface forms (4)
| Surface form | Occurrences |
|---|---|
| harmony | 6 |
| employsHarmony | 1 |
| usesHarmonyOf | 1 |
| usesHarmonyTypicalOf | 1 |
Sample triples (52)
| Subject | Object |
|---|---|
| Prelude to a Kiss | chromatic harmony ⓘ |
| Prelude to a Kiss | extended chords ⓘ |
| Prelude to a Kiss | modulations ⓘ |
| Blues | I–IV–V chord progression ⓘ |
| Piano Quintet in E major, Op. 15 | chromatic ⓘ |
| Piano Quintet in E major, Op. 15 | extended tonality ⓘ |
| Manoir de mes rêves | European jazz via predicate surface "usesHarmonyTypicalOf" ⓘ |
| Baroque pop | classically inspired chord progressions ⓘ |
| Harmonielehre | extended tonal harmony ⓘ |
| cool jazz | extended chords via predicate surface "harmony" ⓘ |
| cool jazz | complex chord progressions via predicate surface "harmony" ⓘ |
| cool jazz | European classical influence via predicate surface "harmony" ⓘ |
| Sack O' Woe | blues-based changes ⓘ |
| Sack O' Woe | functional harmony ⓘ |
| Where Do You Start? | rich jazz harmonies ⓘ |
| Straight, No Chaser | blues changes with bebop-influenced substitutions ⓘ |
| Symphony No. 6 | modernist harmonic language ⓘ |
| Naima | pedal point-based chords via predicate surface "harmony" ⓘ |
| Concerto for Cootie | blues-based harmony ⓘ |
| Night’s Black Bird | complex ⓘ |
| Concerto for Piano and Orchestra | tonal elements ⓘ |
| Concerto for Piano and Orchestra | modern dissonance ⓘ |
| All Your Love (I Miss Loving) | minor blues progression ⓘ |
| Four on Six | ii–V–I progressions ⓘ |
| Four on Six | chromatic approach chords ⓘ |
| Four on Six | extended chords ⓘ |
| Four on Six | modulations ⓘ |
| Momentum | modern tonal and post-tonal harmony ⓘ |
| Waltz for Debby | extended chords ⓘ |
| Waltz for Debby | modal harmony ⓘ |
| Waltz for Debby | subtle modulations ⓘ |
| The Girl with the Flaxen Hair | extended tonal harmony ⓘ |
| The Girl with the Flaxen Hair | modal inflections ⓘ |
| Arabesque No. 1 | extended tonal harmony ⓘ |
| Arabesque No. 1 | modal inflections ⓘ |
| Gymnopédie No. 1 | extended chords ⓘ |
| Gymnopédie No. 1 | unconventional progressions ⓘ |
| Jazz | seventh chords ⓘ |
| Jazz | ninth chords ⓘ |
| Jazz | altered chords ⓘ |
| Jazz | chromaticism ⓘ |
| Jazz | modal harmony ⓘ |
| Samba de Uma Nota Só | jazz-influenced chord progressions ⓘ |
| Joy Spring | bebop-influenced chord substitutions ⓘ |
| Sonata for Viola and Piano | extended tonality via predicate surface "employsHarmony" ⓘ |
| Moody's Mood | "I'm in the Mood for Love" via predicate surface "usesHarmonyOf" NERFINISHED ⓘ |
| Bluegrass Concerto | close vocal harmony ⓘ |
| Bluegrass Concerto | multi-part harmony ⓘ |
| Passepied | extended tonal harmony via predicate surface "harmony" ⓘ |
| Passepied | chromatic colorations via predicate surface "harmony" ⓘ |