mainConflict
P5022
predicate
Indicates the primary opposing force, problem, or struggle that drives tension and narrative progression between entities or sides.
All labels observed (29)
| Label | Occurrences |
|---|---|
| centralConflict | 1,288 |
| primaryConflict | 172 |
| mainConflict canonical | 93 |
| moralConflict | 74 |
| dramaticConflict | 57 |
| hasCentralConflict | 39 |
| hasMainConflict | 27 |
| centralConflictWith | 24 |
| conflictTheme | 22 |
| narrativeConflict | 20 |
| conflictIssue | 15 |
| hasMajorConflict | 9 |
| primaryConflictWith | 7 |
| centralConflictOf | 4 |
| conflictTypeInStory | 3 |
| conflitPrincipal | 3 |
| mainConflictBetween | 2 |
| primaryConflictDomain | 2 |
| primaryConflictStyle | 2 |
| centralConflictAxis | 1 |
| centralConflictDriverIn | 1 |
| centralConflictFor | 1 |
| centralConflictWithCharacter | 1 |
| conflictsInvolvingTitle | 1 |
| definingConflict | 1 |
| hasMainIdeologicalConflict | 1 |
| mainConflictWith | 1 |
| основной конфликт | 1 |
| основнойКонфликт | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: mainConflict
Generated description
Indicates the primary opposing force, problem, or struggle that drives tension and narrative progression between entities or sides.
Sample triples (1,873)
| Subject | Object |
|---|---|
|
Henry IV
surface form:
Henry IV (play)
|
clash between the protagonist’s constructed reality and others’ perception via predicate surface "dramaticConflict" ⓘ |
| Adam Bell | obsession with uncovering the truth about his double via predicate surface "centralConflict" ⓘ |
|
Anne Hathaway as Maggie Murdock
surface form:
Maggie Murdock
|
balancing independence with need for support via predicate surface "centralConflict" ⓘ |
|
Anne Hathaway as Maggie Murdock
surface form:
Maggie Murdock
|
coping with progression of Parkinson’s disease via predicate surface "centralConflict" ⓘ |
| Sophia | desire for love versus marital duty via predicate surface "centralConflict" ⓘ |
| Bor Dinka | cattle raiding via predicate surface "conflictIssue" ⓘ |
| Bor Dinka | inter-communal violence in Jonglei via predicate surface "conflictIssue" ⓘ |
| Corduroy | Corduroy searches for his missing button and a home via predicate surface "centralConflict" ⓘ |
| The Smeds and the Smoos | forbidden friendship via predicate surface "conflictTheme" ⓘ |
| Karen Cartwright | competition for the role of Marilyn Monroe via predicate surface "centralConflict" ⓘ |
| Paul in Port Authority | search for identity and belonging in New York City via predicate surface "centralConflict" ⓘ |
| Flow My Tears, the Policeman Said | protagonist suddenly becomes unknown to everyone via predicate surface "centralConflict" ⓘ |
|
Steve Carell as Cal Weaver
surface form:
Cal Weaver
|
marital breakdown via predicate surface "primaryConflict" ⓘ |
| Olive Penderghast | fabricated promiscuous reputation via predicate surface "centralConflict" ⓘ |
| Harry Caul | fear that his recordings may lead to murder via predicate surface "definingConflict" ⓘ |
|
Amelia in Verdi's Un ballo in maschera
surface form:
Amelia
|
duty to husband versus love for Riccardo via predicate surface "centralConflict" ⓘ |
| Cassie Bowden | becomes entangled in a murder investigation via predicate surface "centralConflict" ⓘ |
| Felicity Porter | choice between Ben and Noel via predicate surface "centralConflict" ⓘ |
| Felicity Porter | pre-med versus art via predicate surface "centralConflict" ⓘ |
| It’s Only Temporary: The Good News and the Bad News of Being Alive | struggle to survive leukemia via predicate surface "hasCentralConflict" ⓘ |
| It’s Only Temporary: The Good News and the Bad News of Being Alive | reconciling fear of death with desire to live fully via predicate surface "hasCentralConflict" ⓘ |
| The Killers (short story) | assassination attempt on a former prizefighter via predicate surface "centralConflict" ⓘ |
|
“An Odor of Verbena”
surface form:
An Odor of Verbena
|
Bayard Sartoris’s decision about avenging his father’s death via predicate surface "hasCentralConflict" ⓘ |
| Arthur Cochran becomes director of a small-town church choir | struggling choir seeking improvement via predicate surface "narrativeConflict" ⓘ |
|
"Peterotica"
surface form:
Peterotica
|
Peter’s erotic writing causes trouble for his family via predicate surface "centralConflict" ⓘ |
|
"Peterotica"
surface form:
Peterotica
|
Peter’s business venture leads to comedic mishaps via predicate surface "centralConflict" ⓘ |
|
"Family Goy"
surface form:
Family Goy
|
Peter reacting negatively to Lois's Jewish heritage via predicate surface "centralConflict" ⓘ |
|
"Family Goy"
surface form:
Family Goy
|
tension between Christian and Jewish traditions in the Griffin family via predicate surface "centralConflict" ⓘ |
| Franklin Saint | expansion of drug empire via predicate surface "primaryConflict" ⓘ |
| Franklin Saint | clashes with law enforcement via predicate surface "primaryConflict" ⓘ |
| Franklin Saint | conflicts with rival dealers via predicate surface "primaryConflict" ⓘ |
| The Purity of the Turf | manipulation of betting odds at school sports day via predicate surface "hasMainConflict" ⓘ |
| Anna Balicke | loyalty to presumed-dead fiancé vs. social pressure to remarry via predicate surface "dramaticConflict" ⓘ |
| Change of Heart | a death row inmate seeks to donate his heart to the daughter of his victim via predicate surface "centralConflict" ⓘ |
| The Storyteller | confrontation with a former Nazi via predicate surface "centralConflict" ⓘ |
| The Storyteller | decision about forgiveness and justice via predicate surface "centralConflict" ⓘ |
| Nights of Rain and Stars | emotional aftermath of a disaster via predicate surface "hasMainConflict" ⓘ |
| The Absolutely True Diary of a Part-Time Indian | leaving reservation school for an all-white high school via predicate surface "centralConflict" ⓘ |
|
“The Emperor’s Soul”
surface form:
The Emperor’s Soul
|
restoring the Emperor’s mind via predicate surface "centralConflict" ⓘ |
| Lords and Ladies | Lancre witches versus invading elves ⓘ |
| Andreas Kragler | struggle to reintegrate into civilian life after war via predicate surface "centralConflict" ⓘ |
| Andreas Kragler | confrontation with changed personal relationships on his return via predicate surface "centralConflict" ⓘ |
| Moor Zogoiby | tension between personal fate and national history via predicate surface "centralConflict" ⓘ |
| Moor Zogoiby | loyalty to family versus individual freedom via predicate surface "centralConflict" ⓘ |
| The Napoleon of Notting Hill | clashes between London boroughs via predicate surface "centralConflict" ⓘ |
| The Napoleon of Notting Hill | escalation of a joke into real war via predicate surface "centralConflict" ⓘ |
| Woyzeck | Woyzeck’s mental deterioration and social oppression via predicate surface "centralConflict" ⓘ |
| Gillian Holroyd | choice between witchcraft and human love via predicate surface "centralConflict" ⓘ |
| Frank Mansfield | moral conflict over the ethics of cockfighting via predicate surface "centralConflict" ⓘ |
| Frank Mansfield | personal conflict between ambition and relationships via predicate surface "centralConflict" ⓘ |