orchestrationStyle
P41361
predicate
Indicates the manner or approach by which multiple components, services, or processes are coordinated and controlled to work together.
All labels observed (3)
| Label | Occurrences |
|---|---|
| orchestrationStyle canonical | 95 |
| hasOrchestrationStyle | 22 |
| hasOrchestrationType | 6 |
Sample triples (123)
| Subject | Object |
|---|---|
| The Most Happy Fella | operatic ⓘ |
| The Most Happy Fella | through-composed ⓘ |
| The Song of Bernadette (film score) | late-Romantic ⓘ |
| Love Is a Many-Splendored Thing (film score) | lush orchestration ⓘ |
| Something Good | lush orchestral arrangement ⓘ |
| There Is Nothin' Like a Dame | Broadway pit orchestra ⓘ |
| A Christmas Carol (2009 film score) | orchestral via predicate surface "hasOrchestrationType" ⓘ |
| The Abyss (film score) | atmospheric orchestration via predicate surface "hasOrchestrationStyle" ⓘ |
| Star Wars film score | late-Romantic ⓘ |
| Chinatown (1974 film score) | jazz-inflected ⓘ |
| The Rocketeer (film score) | late-romantic symphonic ⓘ |
|
album "Release the Stars"
surface form:
Release the Stars
|
lush orchestration via predicate surface "hasOrchestrationStyle" ⓘ |
| Sweeney Todd (stage production) | large orchestra ⓘ |
| For Your Eyes Only (film) score | blend of traditional orchestra with contemporary pop elements ⓘ |
| For Your Eyes Only (film) score | use of disco-influenced rhythms and textures ⓘ |
| Score for "Mildred Pierce" | lush ⓘ |
| Score for "Mildred Pierce" | dramatic ⓘ |
| Score for "Dark Victory" | lush ⓘ |
| Score for "Dark Victory" | emotionally expressive ⓘ |
| Star Trek: Insurrection (1998 film score) | large symphony orchestra ⓘ |
| Star Trek: Insurrection (1998 film score) | prominent brass writing ⓘ |
| Star Trek: Insurrection (1998 film score) | lush string writing ⓘ |
| Star Trek: Insurrection (1998 film score) | rhythmic percussion writing ⓘ |
| Déjà Vu | lush orchestration via predicate surface "hasOrchestrationStyle" ⓘ |
| Funny Face (1927 stage musical) | jazz-influenced score via predicate surface "hasOrchestrationStyle" ⓘ |
| My Love | lush orchestration ⓘ |
| James and the Giant Peach (film score) | whimsical ⓘ |
| James and the Giant Peach (film score) | orchestral ⓘ |
| The Natural (film score) | lush ⓘ |
| At Last | lush orchestration ⓘ |
| Sense and Sensibility (1995 film) score | orchestral ⓘ |
| Lady, Be Good | 1920s Broadway orchestra via predicate surface "hasOrchestrationStyle" ⓘ |
|
The Merry Wives of Windsor (opera by Otto Nicolai)
surface form:
The Merry Wives of Windsor (Nicolai)
|
Romantic-era orchestration ⓘ |
|
Chicago
surface form:
Chicago (musical)
|
jazz band–style orchestration ⓘ |
| Fast & Furious (2009 film score) | large-scale orchestra via predicate surface "hasOrchestrationType" ⓘ |
| La La Land (film score) | lush orchestration ⓘ |
| The Expendables (film score) | orchestral ⓘ |
| Serenity (2005 film score) | hybrid orchestral and acoustic instrumentation via predicate surface "hasOrchestrationStyle" ⓘ |
|
opera "Salome" by Richard Strauss
surface form:
Salome (opera)
|
large late-Romantic orchestra ⓘ |
| Champion (opera) | jazz-influenced ⓘ |
| Champion (opera) | blues-influenced ⓘ |
| Champion (opera) | classical orchestral writing ⓘ |
|
No Strings (musical)
surface form:
No Strings
|
jazz-influenced ⓘ |
| Lady Bird (film score) | delicate orchestration ⓘ |
| The New Moon | full theatre orchestra via predicate surface "hasOrchestrationType" ⓘ |
| Rose-Marie | late Romantic ⓘ |
| Sucker Punch (film score) | stylized ⓘ |
| Sucker Punch (film score) | rock-infused ⓘ |
| Sucker Punch (film score) | electronic-infused ⓘ |
| Love Never Dies | romantic orchestral via predicate surface "hasOrchestrationStyle" ⓘ |