vocalArrangement
P37619
predicate
Indicates the specific way vocal parts or voices are organized, structured, and combined within a musical work or performance.
All labels observed (14)
| Label | Occurrences |
|---|---|
| vocalArrangement canonical | 173 |
| hasVocalArrangement | 58 |
| vocalArrangementFeature | 9 |
| vocalArrangementStyle | 5 |
| hasVocalArrangementStyle | 2 |
| vocalArrangementFeatures | 2 |
| vocalStructure | 2 |
| hasBackingVocalArrangement | 1 |
| usesVocalArrangementBy | 1 |
| vocalArrangementFocus | 1 |
| vocalArrangementFor | 1 |
| vocalArrangementRole | 1 |
| vocalArrangementType | 1 |
| vocalGroupArrangement | 1 |
Sample triples (258)
| Subject | Object |
|---|---|
| A Whole New World | male–female duet ⓘ |
| Candyman | close-harmony backing vocals ⓘ |
|
Lady Marmalade
surface form:
Lady Marmalade (2001 version)
|
multi-lead vocals ⓘ |
| California Golden Overtones | multi-part harmony ⓘ |
| Martha and the Vandellas | lead and backing vocals trio ⓘ |
| Boogie Woogie Bugle Boy | trio harmony ⓘ |
|
"Good Morning" musical number
surface form:
Good Morning (musical number)
|
trio ⓘ |
| Sam & Dave | call and response ⓘ |
| The Clancy Brothers | close-harmony singing ⓘ |
|
song "Good Man"
surface form:
Good Man
|
lead vocals with background harmonies ⓘ |
| I Know Him So Well | two-part harmony ⓘ |
| Nobody Loves Me Like You Do | male-female duet ⓘ |
| So in Love with You | harmonized male vocals via predicate surface "hasVocalArrangement" ⓘ |
| The Main Ingredient | three-part harmony ⓘ |
| Uncle John's Band | multi-part harmony ⓘ |
| Vanishing | lead and background harmonies by Mariah Carey ⓘ |
| If It Isn’t Love | group harmonies with lead vocal via predicate surface "vocalArrangementStyle" ⓘ |
| The Spinners | lead and background harmonies ⓘ |
| Jay & the Techniques | mixed-race vocal group ⓘ |
| Neither One of Us (Wants to Be the First to Say Goodbye) | lead vocals by Gladys Knight with backing vocals by the Pips via predicate surface "hasVocalArrangement" ⓘ |
|
Keith Sweat – I Want Her
surface form:
I Want Her
|
lead and background vocals by Keith Sweat ⓘ |
|
song "Don't Worry, Be Happy"
surface form:
"Don't Worry, Be Happy"
|
multi-tracked vocals by Bobby McFerrin ⓘ |
| Born Again Teen | dual lead vocals ⓘ |
| Born Again Teen | group harmonies ⓘ |
| Out in the Street | group backing vocals ⓘ |
| The Four Lads | close harmony ⓘ |
| The Way You Look Tonight | yes via predicate surface "hasVocalArrangement" ⓘ |
| The Fiddle and the Drum | solo voice ⓘ |
| The Persuasions | multi-part harmony ⓘ |
| Voices of Liberty | soprano ⓘ |
| Voices of Liberty | alto ⓘ |
| Voices of Liberty | tenor ⓘ |
| Voices of Liberty | bass ⓘ |
| Margaret Whiting and Johnny Mercer version | alternating solo lines and overlapping phrases ⓘ |
|
“Be My Baby” by The Ronettes
surface form:
"Be My Baby"
|
lead vocal with girl-group harmonies ⓘ |
| Beauty and the Beast (Ariana Grande and John Legend version) | male–female duet ⓘ |
| Mitchell’s Christian Singers | lead and harmony quartet structure ⓘ |
| Labelle | three-part harmony ⓘ |
| Her Town Too | male vocal duet ⓘ |
| That Wasn’t Me | lead vocals with harmonies ⓘ |
| Keep the Customer Satisfied | duet ⓘ |
| I Can't Get Next to You | multiple lead vocalists via predicate surface "vocalArrangementFeatures" ⓘ |
| I Can't Get Next to You | call-and-response vocals via predicate surface "vocalArrangementFeatures" ⓘ |
| My Baby Loves Me | call and response ⓘ |
|
I’ve Got to Use My Imagination (Gladys Knight & the Pips hit)
surface form:
I've Got to Use My Imagination
|
lead and call-and-response backing vocals ⓘ |
| Experience | duet ⓘ |
| Touch Me | layered harmonies ⓘ |
| Touch Me | breathy delivery ⓘ |
| You’ll Never Get Away from Me | duet ⓘ |
| Adagio for Strings | Agnus Dei via predicate surface "hasVocalArrangement" ⓘ |