theatricalContext
P21697
predicate
Indicates the situational or environmental circumstances related to a theatrical performance or production in which an action or relationship occurs.
All labels observed (4)
| Label | Occurrences |
|---|---|
| theatricalContext canonical | 70 |
| placeInDramaturgy | 2 |
| dramaticSettingContext | 1 |
| сценический контекст | 1 |
Sample triples (74)
| Subject | Object |
|---|---|
| People Will Say We're in Love | romantic duet between Curly and Laurey ⓘ |
|
Air "How happy could I be with either"
surface form:
"How happy could I be with either"
|
ballad opera ⓘ |
|
I Could Write a Book (jazz standard)
surface form:
I Could Write a Book
|
introduced in the musical Pal Joey ⓘ |
| Some Enchanted Evening | South Pacific ⓘ |
| Have You Met Miss Jones? | introduced in the musical I'd Rather Be Right ⓘ |
|
Theme from "On Your Toes" (musical)
surface form:
Theme from "On Your Toes"
|
Broadway musical ⓘ |
| Theme from "Babes in Arms" (musical) | Broadway musical ⓘ |
| So Long, Farewell | sung at a party in the von Trapp home ⓘ |
| So Long, Farewell | children say goodnight to party guests ⓘ |
| Let’s Do It, Let’s Fall in Love | Broadway musical ⓘ |
| Seguidilla (Près des remparts de Séville) | turning point in Don José’s loyalty via predicate surface "placeInDramaturgy" ⓘ |
| Some Other Time | sung near the end of the musical On the Town ⓘ |
| I Speak Six Languages | sung during the spelling bee competition ⓘ |
| Conga! |
Golden Age of Broadway (early phase)
ⓘ
surface form:
Golden Age of Broadway
|
| I Am the One | Broadway musical number ⓘ |
| My Heart Is So Full of You | Broadway ⓘ |
| Big D | ensemble number ⓘ |
| Big D | character song ⓘ |
| Joey, Joey, Joey | Broadway musical theatre ⓘ |
| Marian the Librarian | Broadway musical number ⓘ |
| March of the Siamese Children | procession music ⓘ |
| Zip | nightclub performance within the musical Pal Joey ⓘ |
| You Mustn't Kick It Around | book musical ⓘ |
| I Enjoy Being a Girl | celebrates traditional feminine identity ⓘ |
| Blow, Gabriel, Blow | 11 o'clock number style showpiece ⓘ |
| Apex Predator | stage musical number ⓘ |
| Land of Lola | Broadway ⓘ |
|
It's All the Same
surface form:
"It's All the Same"
|
Broadway musical number ⓘ |
| A New Argentina | political rally ⓘ |
| A New Argentina | revolutionary fervor ⓘ |
| God Bless the Woman | Broadway musical comedy ⓘ |
|
"Find Me a Primitive Man"
surface form:
Find Me a Primitive Man
|
Cole Porter musical comedy ⓘ |
| Katie Went to Haiti | Cole Porter musical comedy DuBarry Was a Lady NERFINISHED ⓘ |
| But, Mr. Adams | Second Continental Congress NERFINISHED ⓘ |
|
One
surface form:
One (song from A Chorus Line)
|
ensemble number ⓘ |
|
One
surface form:
One (song from A Chorus Line)
|
audition-themed musical sequence ⓘ |
| Belly Up to the Bar, Boys | Broadway NERFINISHED ⓘ |
| Sing Happy | character song ⓘ |
| You Are You | song from the Broadway musical Flora the Red Menace ⓘ |
| In a Crowd of Thousands | stage adaptation of Anastasia ⓘ |
| Baubles, Bangles and Beads | sung in a marketplace/jewelry-shop setting in Kismet ⓘ |
|
I’m On My Way
surface form:
I'm On My Way
|
1951 stage musical Paint Your Wagon ⓘ |
| The Flowers that Bloom in the Spring | appears in Act II of The Mikado ⓘ |
| Talking to Yourself | number in the stage musical Hallelujah, Baby! ⓘ |
| One Song Glory | solo number ⓘ |
| Always Starting Over | Broadway NERFINISHED ⓘ |
| Moonfall | Victorian-set musical ⓘ |
| I Miss the Music | reflective solo ⓘ |
| Près des remparts de Séville | after Carmen’s arrest via predicate surface "placeInDramaturgy" ⓘ |
| Vivre | solo number ⓘ |