dramaticFunction
P20800
predicate
Indicates the role or purpose that something serves within the structure or progression of a dramatic work or narrative.
All labels observed (15)
| Label | Occurrences |
|---|---|
| dramaticFunction canonical | 1,476 |
| hasDramaticFunction | 45 |
| dramaticPurpose | 38 |
| dramaticType | 33 |
| diegeticFunction | 18 |
| functionInDrama | 10 |
| dramaturgicalFocus | 6 |
| functionInGreekTragedy | 6 |
| dramaticSignificance | 4 |
| tragicElement | 4 |
| dramaturgicalGoal | 2 |
| functionInEpicPoetry | 2 |
| dramaticFunctionOfLaudisi | 1 |
| dramaturgicalAim | 1 |
| functionInOresteia | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: dramaticFunction
Generated description
Indicates the role or purpose that something serves within the structure or progression of a dramatic work or narrative.
Sample triples (1,647)
| Subject | Object |
|---|---|
| I Can Do Better Than That | turning point in relationship ⓘ |
| If I Were a Rich Man | character development ⓘ |
| If I Were a Rich Man | expression of Tevye’s fantasies about wealth ⓘ |
| Sunrise, Sunset | underscores the wedding scene in Fiddler on the Roof ⓘ |
| Do You Love Me? | character development ⓘ |
| Do You Love Me? | exploration of marriage ⓘ |
| Superstar | Judas’s final confrontation with Jesus ⓘ |
| Superstar | commentary on celebrity and religion ⓘ |
| Heaven on Their Minds | establishes Judas as central narrator ⓘ |
| Heaven on Their Minds | sets political and moral conflict of the musical ⓘ |
| Hosanna | depicts popular acclaim for Jesus ⓘ |
| Hosanna | contrasts crowd enthusiasm with priestly concern ⓘ |
| Sergeant Waters | catalyst for investigation in the plot ⓘ |
| Recha | to connect Jewish, Christian, and Muslim characters ⓘ |
| George Lewis | drives much of the play's humor ⓘ |
| George Lewis | embodies chaos caused by new technology in film ⓘ |
| The Lusty Month of May | character development for Guenevere ⓘ |
| The Lusty Month of May | establishing the lighthearted atmosphere of the court ⓘ |
| How to Handle a Woman | character development for King Arthur ⓘ |
| How to Handle a Woman | expression of Arthur’s philosophy on love ⓘ |
| I Loved You Once in Silence | character development for Guinevere ⓘ |
| I Loved You Once in Silence | expresses Guinevere's inner turmoil ⓘ |
| My Man’s Gone Now | lament ⓘ |
| George Antrobus | comic figure ⓘ |
| George Antrobus | tragic figure ⓘ |
| George Antrobus | didactic figure ⓘ |
|
Act II
surface form:
Act II (The Skin of Our Teeth)
|
middle section of the play ⓘ |
|
Act II
surface form:
Act II (The Skin of Our Teeth)
|
development of central conflicts ⓘ |
| Henry Antrobus | source of conflict within the Antrobus family ⓘ |
| Henry Antrobus | embodiment of humanity’s destructive side ⓘ |
| Esther Blodgett | husband Norman Maine’s decline and death via predicate surface "tragicElement" ⓘ |
| Artaserse | serious opera via predicate surface "dramaticType" ⓘ |
| La Dame aux Camélias (stage role) | title role of the play La Dame aux Camélias ⓘ |
| Francesca da Rimini (stage role) | star vehicle for leading actresses ⓘ |
| Pizarro | embodiment of political tyranny ⓘ |
| Pizarro | catalyst for Leonore’s heroism ⓘ |
| Marzelline | comic relief via predicate surface "hasDramaticFunction" ⓘ |
| Marzelline | romantic subplot via predicate surface "hasDramaticFunction" ⓘ |
| Jaquino | contrasts with the serious political plot ⓘ |
| Jaquino | illustrates everyday life in the prison household ⓘ |
| Prisoners’ Chorus "O welche Lust" | expression of prisoners’ brief experience of freedom ⓘ |
| Prisoners’ Chorus "O welche Lust" | contrast with the darkness of imprisonment ⓘ |
| Rocco | moral barometer within the prison ⓘ |
| Rocco | comic and humane element in early scenes ⓘ |
| Plutus | didactic comedy via predicate surface "dramaticType" ⓘ |
|
expedition company "Himalayan Escapes"
surface form:
Himalayan Escapes
|
explains why guests are traveling into the mountains via predicate surface "diegeticFunction" ⓘ |
| Anne Page | romantic heroine ⓘ |
| Anne Page | focus of competing suitors ⓘ |
| Doctor Caius | comic relief ⓘ |
| Doctor Caius | satire of foreigners ⓘ |