characterArc
P20798
predicate
Indicates the developmental journey or transformation a character undergoes over the course of a narrative.
All labels observed (35)
| Label | Occurrences |
|---|---|
| characterArc canonical | 1,614 |
| characterDevelopment | 246 |
| hasCharacterArc | 159 |
| emotionalArc | 106 |
| dramaticArc | 79 |
| associatedWithCharacterArc | 28 |
| undergoesCharacterDevelopment | 26 |
| followsCharacterArc | 15 |
| hasCharacterDevelopment | 15 |
| characterDevelopmentFocus | 13 |
| hasEmotionalArc | 11 |
| personalityArc | 11 |
| hasPersonalityArc | 8 |
| notableCharacterDevelopment | 8 |
| followsCharacterArcOf | 6 |
| characterDevelopmentArc | 4 |
| personalityChange | 4 |
| protagonistDevelopment | 4 |
| undergoesCharacterDevelopmentIn | 4 |
| characterArcSummary | 2 |
| characterDevelopmentTrait | 2 |
| filmCharacterArc | 2 |
| leadCharacterArc | 2 |
| characterArcInCreedII | 1 |
| characterArcOfGora | 1 |
| characterEvolution | 1 |
| characterProgression | 1 |
| describesCharacterArc | 1 |
| featuresCharacterDevelopment | 1 |
| followsCharacterJourney | 1 |
| hasCharacterArcDescribedAs | 1 |
| hasCharacterArcOf | 1 |
| mainCharacterArc | 1 |
| primaryProtagonistJourney | 1 |
| protagonistArc | 1 |
Description generation (PDg)
The one-sentence description above was generated by prompting gpt-5.1 with the predicate name and this instruction.
Instruction
Given a predicate that represents a relationship or action between entities, generate a one-sentence description explaining its meaning. # Instructions Focus on describing the relationship, not the entities themselves. # Response Format Begin the description with \' Indicates...\'
Input
Predicate: characterArc
Generated description
Indicates the developmental journey or transformation a character undergoes over the course of a narrative.
Sample triples (2,381)
| Subject | Object |
|---|---|
| Annie Banks | transition from daughter living at home to married adult ⓘ |
| Roger Cobb | from skepticism to acceptance of supernatural events ⓘ |
| Frederic Henry | from naive participant to disillusioned deserter ⓘ |
| Jack Skellington – Chris Sarandon (speaking) | from boredom with Halloween to appreciation of his role as Pumpkin King ⓘ |
| Arthur Donnithorne | from careless youth to contrite adult via predicate surface "hasCharacterArc" ⓘ |
| Jimmy Dugan | redemption ⓘ |
| Adso of Melk | spiritual and intellectual maturation ⓘ |
| Mickey Smith | evolves from insecure boyfriend to brave, tech‑savvy freedom fighter ⓘ |
| Eugène de Rastignac | rise from poor student to influential statesman ⓘ |
| Will Ladislaw | from restless artist to committed reformer via predicate surface "undergoesCharacterDevelopment" ⓘ |
| Moira Davidson | carefree socialite to courageous woman facing apocalypse ⓘ |
| Moira Davidson | moves from escapism to responsibility and acceptance via predicate surface "characterDevelopment" ⓘ |
|
Dewey Finn – Jack Black
surface form:
Dewey Finn
|
learns responsibility through teaching ⓘ |
| Edna Garrett | transitions from housemother to dietitian at Eastland School via predicate surface "characterDevelopment" ⓘ |
| Emma Woodhouse | yes via predicate surface "undergoesCharacterDevelopment" ⓘ |
| Apprentice Part 2 | Robin struggles between obedience to Slade and loyalty to his friends ⓘ |
| Polly Parrish | from single salesgirl to perceived mother via predicate surface "hasCharacterArc" ⓘ |
| Dusty Mayron | evolves from absentee tough dad to more involved parent ⓘ |
| Chas Tenenbaum | learns to relax his obsession with safety ⓘ |
| Chas Tenenbaum | reconciles with his father Royal Tenenbaum ⓘ |
| Lucien de Rubempré | rise in Parisian society ⓘ |
| Lucien de Rubempré | fall from social grace ⓘ |
| Lucien de Rubempré | suicide ⓘ |
| Don Birnam | from denial of alcoholism toward acknowledgment of the need for help ⓘ |
| Cary Scott | from social conformity to personal fulfillment ⓘ |
| Jack Pearson | struggles with and overcomes alcoholism ⓘ |
| Jack Pearson | dies relatively young, shaping his family’s lives ⓘ |
| Daphne Blake | evolves from damsel in distress to skilled fighter and investigator ⓘ |
| Peter Graham | from ordinary teenager to possessed king of Paimon ⓘ |
| Cornelia Srebnick | reassessment of life choices ⓘ |
| Cornelia Srebnick | reconnection with peers of her own generation ⓘ |
| Kate Pearson | learning self-acceptance ⓘ |
| Kate Pearson | developing independence from family expectations ⓘ |
|
Colin Smith in The Loneliness of the Long Distance Runner
surface form:
Colin Smith
|
from petty criminal to self-aware rebel ⓘ |
|
Pasha Antipov in Doctor Zhivago
surface form:
Pasha Antipov
|
transforms from passionate idealist to hardened revolutionary ⓘ |
|
Geoff Mercer in 45 Years
surface form:
Geoff Mercer
|
from apparent stability to crisis of identity and loyalty via predicate surface "emotionalArc" ⓘ |
| Lucy Honeychurch | from conventional to self-assertive via predicate surface "undergoesCharacterDevelopment" ⓘ |
|
Carol in Where the Wild Things Are
surface form:
Carol (Where the Wild Things Are character)
|
from excitement to betrayal to reconciliation via predicate surface "emotionalArc" ⓘ |
| Lester Burnham | from passive conformity to rebellious self-assertion ⓘ |
| Colonel Frank Fitts | from rigid control to violent breakdown ⓘ |
| Anne Ashmond | professional success via predicate surface "hasCharacterArc" ⓘ |
| Anne Ashmond | romantic fulfillment via predicate surface "hasCharacterArc" ⓘ |
| Harold Chasen | transformation from death-obsessed to life-affirming outlook ⓘ |
| Brigid Blake | confronts fears about adulthood via predicate surface "dramaticArc" ⓘ |
| Brigid Blake | negotiates dependence on parents via predicate surface "dramaticArc" ⓘ |
| Earl Williams | escape from custody via predicate surface "dramaticArc" ⓘ |
| Earl Williams | hidden in the pressroom desk in some adaptations via predicate surface "dramaticArc" ⓘ |
| Lady Edith Crawley | from overlooked middle daughter to confident marchioness and editor ⓘ |
| Ben Luckett | regains vitality after exposure to alien-infused waters ⓘ |
| Bud Fox | rise and fall on Wall Street ⓘ |