narrativePerspective
P1924
predicate
Indicates the point of view or vantage from which a narrative is told, specifying the relationship between the storyteller and the events being described.
Observed surface forms (11)
- narrativeForm ×179
- perspective ×113
- narrativePointOfView ×27
- hasNarrativePerspective ×22
- pointOfView ×6
- emphasizesPerspective ×2
- narrativePerson ×2
- firstPersonNarration ×1
- firstPersonNarrator ×1
- hasNarratorPerspective ×1
- usesFirstPersonNarration ×1
Sample triples (984)
| Subject | Object |
|---|---|
| The Pathfinder | prose via predicate surface "narrativeForm" ⓘ |
| The Pathfinder | third-person narration ⓘ |
| The Pearl | third-person omniscient ⓘ |
| The Penelopiad | choral narration by the twelve maids ⓘ |
| The Penelopiad | first-person narration by Penelope ⓘ |
| The Periodic Table | first-person ⓘ |
| The Philadelphia Story | dialogue-driven via predicate surface "narrativeForm" ⓘ |
| The Pillow Book | first-person ⓘ |
| The Pilot | third-person narration ⓘ |
| The Piper at the Gates of Dawn | third-person narration ⓘ |
| The Pit and the Pendulum | first-person via predicate surface "narrativePointOfView" ⓘ |
| The Portrait of a Lady | third-person limited ⓘ |
|
The Postman Always Rings Twice
surface form:
The Postman Always Rings Twice (1946 film)
|
linear narrative via predicate surface "narrativeForm" ⓘ |
| The Pride of the Village | first-person narration ⓘ |
| The Prime Minister | third-person narration ⓘ |
| The Prince and the Pauper | third-person narration ⓘ |
| The Prisoner of Zenda | first-person via predicate surface "narrativePointOfView" ⓘ |
| The Purloined Letter | first-person ⓘ |
| The Pursuit of Happyness | follows Chris Gardner's personal journey from homelessness to professional success ⓘ |
| The Raven | first-person ⓘ |
| The Real Terror Network | critical of U.S. foreign policy via predicate surface "perspective" ⓘ |
| The Red Rover | prose via predicate surface "narrativeForm" ⓘ |
| The Right to Read | third-person ⓘ |
| The Rise and Fall of the Confederate Government | pro-Confederate via predicate surface "perspective" ⓘ |
| The Rise of Silas Lapham | third-person narration ⓘ |
| The River Bank | third-person narration ⓘ |
| The Robber Bride | third-person narration ⓘ |
| The Robots of Dawn | third-person narrative ⓘ |
| The Romance of the Forest | prose via predicate surface "narrativeForm" ⓘ |
| The Romance of the Forest | third-person narration ⓘ |
| The Runaway | first-person ⓘ |
| The Shepherd's Week | verse via predicate surface "narrativeForm" ⓘ |
| The Shining | third-person ⓘ |
| The Silence | third-person narration ⓘ |
| The Slave | third-person narration ⓘ |
| The Sleepers | inclusive and universal via predicate surface "perspective" ⓘ |
| The Small House at Allington | third-person narration ⓘ |
| The Song of the Lark | third-person narration ⓘ |
| The Spectre Bridegroom | third-person narration ⓘ |
| The Spiral Staircase | first-person ⓘ |
| The Spy | third-person narration ⓘ |
| The Spy Who Came in from the Cold | third-person ⓘ |
| The Spy Who Loved Me | first-person via predicate surface "narrativePointOfView" ⓘ |
| The Stand | third-person omniscient ⓘ |
| The Stars, Like Dust | third-person narrative ⓘ |
| The Storm | third-person narrator ⓘ |
| The Story of an Hour | third-person limited ⓘ |
| The Sun Also Rises | first-person via predicate surface "narrativePointOfView" ⓘ |
| The System of Economic Contradictions, or The Philosophy of Poverty | anarchist via predicate surface "perspective" ⓘ |
| The System of Economic Contradictions, or The Philosophy of Poverty | mutualist via predicate surface "perspective" ⓘ |