narrativePerspective
P1924
predicate
Indicates the point of view or vantage from which a narrative is told, specifying the relationship between the storyteller and the events being described.
Observed surface forms (11)
- narrativeForm ×179
- perspective ×113
- narrativePointOfView ×27
- hasNarrativePerspective ×22
- pointOfView ×6
- emphasizesPerspective ×2
- narrativePerson ×2
- firstPersonNarration ×1
- firstPersonNarrator ×1
- hasNarratorPerspective ×1
- usesFirstPersonNarration ×1
Sample triples (984)
| Subject | Object |
|---|---|
| Tender Is the Night | third-person narration via predicate surface "narrativePointOfView" ⓘ |
|
memoir "That Reminds Me"
surface form:
That Reminds Me
|
first-person ⓘ |
| The 25th Hour | third-person ⓘ |
| The Adventure of the German Student | third-person narration ⓘ |
| The Adventures of Tom Sawyer | third-person narration ⓘ |
| The Age of Revolution | British perspective via predicate surface "perspective" ⓘ |
| The Alchemist | third-person ⓘ |
| The Allegash and East Branch | first-person ⓘ |
| The Ambassadors | third-person limited via predicate surface "narrativePointOfView" ⓘ |
| The Angler | first-person narration ⓘ |
| The Aspern Papers | first-person narrator via predicate surface "narrativePointOfView" ⓘ |
| The Autobiography of Malcolm X | first person ⓘ |
| The Autumn of the Patriarch | collective first person plural ⓘ |
| The Autumn of the Patriarch | shifting third person ⓘ |
| The Awakening | third-person narration ⓘ |
| The Barefoot Boy | adult speaker recalling childhood ⓘ |
| The Beach | first-person voice-over by Richard ⓘ |
| The Beautiful and Damned | third-person narration ⓘ |
| The Bell Jar | first-person via predicate surface "narrativePointOfView" ⓘ |
| The Best Is Yet to Come | first-person via predicate surface "hasNarrativePerspective" ⓘ |
| The Bicentennial Man | third-person narration ⓘ |
| The Black Cat | first-person narration ⓘ |
| The Black Dahlia | nonlinear narrative via predicate surface "narrativeForm" ⓘ |
| The Black Tulip | prose via predicate surface "narrativeForm" ⓘ |
| The Blind Assassin | frame narrative via predicate surface "narrativeForm" ⓘ |
| The Blind Assassin | story within a story via predicate surface "narrativeForm" ⓘ |
| The Bluest Eye | first-person narration ⓘ |
| The Bluest Eye | third-person narration ⓘ |
| The Body Artist | third-person limited ⓘ |
| The Book Thief | first-person ⓘ |
| The Bostonians | third-person narration ⓘ |
| The Brave Little Tailor | third-person ⓘ |
| The Brus | third-person narrative ⓘ |
| The Cadfael Chronicles | series of standalone mysteries with continuing characters via predicate surface "narrativeForm" ⓘ |
| The Cask of Amontillado | first-person narration via predicate surface "narrativePointOfView" ⓘ |
| The Castle of Otranto | prose fiction via predicate surface "narrativeForm" ⓘ |
| The Castle of Otranto | third-person narration ⓘ |
| The Castles of Athlin and Dunbayne | third-person narration ⓘ |
| The Casual Vacancy | third-person omniscient ⓘ |
| The Catcher in the Rye | first-person via predicate surface "narrativePointOfView" ⓘ |
| The Caves of Steel | prose via predicate surface "narrativeForm" ⓘ |
| The Christmas Dinner | first-person narration ⓘ |
| The Chrysanthemum and the Sword | American perspective via predicate surface "perspective" ⓘ |
| The Coming War on China | critical of U.S. foreign policy via predicate surface "perspective" ⓘ |
| The Coming War on China | sympathetic to affected local communities via predicate surface "perspective" ⓘ |
| The Confessions of Felix Krull | first-person narrative via predicate surface "narrativeForm" ⓘ |
| The Corsair | third-person narration ⓘ |
| The Country Church | observational ⓘ |
| The Crying of Lot 49 | third-person narration ⓘ |
| The Currents of Space | third-person narration ⓘ |