narrativePerspective

P1924 predicate

Indicates the point of view or vantage from which a narrative is told, specifying the relationship between the storyteller and the events being described.

Observed surface forms (11)

  • narrativeForm ×179
  • perspective ×113
  • narrativePointOfView ×27
  • hasNarrativePerspective ×22
  • pointOfView ×6
  • emphasizesPerspective ×2
  • narrativePerson ×2
  • firstPersonNarration ×1
  • firstPersonNarrator ×1
  • hasNarratorPerspective ×1

Sample triples (984)

Subject Object
Reforming the Unreformable: Lessons from Nigeria insider account via predicate surface "perspective"
Relentless: A Memoir first-person
essay "Religion from the Outside"
surface form: Religion from the Outside
nonreligious via predicate surface "perspective"
essay "Religion from the Outside"
surface form: Religion from the Outside
scientific perspective via predicate surface "perspective"
Restoration first-person narrative
Resurrection third-person narration
Resurrection (1912 film) feature narrative via predicate surface "narrativeForm"
Resurrection (1918 film) dramatization via predicate surface "narrativeForm"
Reveries of the Solitary Walker first-person narrative via predicate surface "narrativeForm"
Revolution (book) first-person
Right Ho, Jeeves first-person
Right and Left slightly elevated viewpoint via predicate surface "perspective"
Robert Jordan third-person limited focused on Robert Jordan
Robinson Crusoe first-person via predicate surface "narrativePointOfView"
RoboCop first person
Roman de Rou (Anglo-Norman transmission)
surface form: Roman de Rou
poetry via predicate surface "narrativeForm"
Romola third-person narration
Rosa Parks: My Story first-person
Roscoe first-person
Rose in Bloom third-person narration
Roughing It first-person
Ruby, Don’t Take Your Love to Town first person
Rum Punch third-person narration
Runaway first-person
Rural Funerals first person
Rural Life in England first-person travel narrative via predicate surface "narrativeForm"
Ryan Bingham first-person voiceover in the film
Sabotage linear narrative via predicate surface "narrativeForm"
Sal Paradise first-person
Salem's Lot third-person
Sam Lawson's Oldtown Fireside Stories first-person storytelling by Sam Lawson
Sapphira and the Slave Girl first-person
Saunterings first-person
Scenes from the Heart first-person
Screw It, Let’s Do It first-person
Scènes de la vie de province interlinked novels via predicate surface "narrativeForm"
Seeing Myself: The New Science of Out-of-Body Experiences naturalistic explanation of out-of-body experiences via predicate surface "perspective"
Seeing Myself: The New Science of Out-of-Body Experiences skeptical of paranormal interpretations via predicate surface "perspective"
Separate Tables (1958 film) ensemble drama via predicate surface "narrativeForm"
Seventy-Two Virgins third-person
Shadowlands character-driven drama via predicate surface "narrativeForm"
Shadows on the Rock third-person narration
Shame first-person
Shantaram first-person
She Believes in Me first person
She Don’t Have to Know first person via predicate surface "hasNarrativePerspective"
Shopgirl third-person narration
Shosha first-person
Showtime: Inside the Lakers' Breakthrough Season insider account via predicate surface "perspective"
Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed meta-theatrical reconstruction via predicate surface "narrativeForm"