The Man Who Came to Dinner (film score)
E996076
UNEXPLORED
The Man Who Came to Dinner (film score) is a 1942 film soundtrack composed by Adolph Deutsch for the Warner Bros. comedy based on the George S. Kaufman and Moss Hart stage play.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Man Who Came to Dinner (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T12660870 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Man Who Came to Dinner (film score) Context triple: [Adolph Deutsch, notableWork, The Man Who Came to Dinner (film score)]
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A.
Guess Who's Coming to Dinner (1967 film score)
"Guess Who's Coming to Dinner" (1967 film score) is the orchestral soundtrack composed by Frank De Vol for the landmark interracial romance drama film of the same name.
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B.
The Man Who Knew Too Much (film score)
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
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C.
The Tenth Man (TV film score)
The Tenth Man (TV film score) is a television film soundtrack composed by Lee Holdridge, known for its dramatic orchestral style that supports the adaptation of Graham Greene’s story.
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D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
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E.
Love Is a Many-Splendored Thing (film score)
Love Is a Many-Splendored Thing is a romantic 1955 film score by Alfred Newman, renowned for its lush orchestration and iconic title theme that became a popular standard.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Man Who Came to Dinner (film score) Target entity description: The Man Who Came to Dinner (film score) is a 1942 film soundtrack composed by Adolph Deutsch for the Warner Bros. comedy based on the George S. Kaufman and Moss Hart stage play.
-
A.
Guess Who's Coming to Dinner (1967 film score)
"Guess Who's Coming to Dinner" (1967 film score) is the orchestral soundtrack composed by Frank De Vol for the landmark interracial romance drama film of the same name.
-
B.
The Man Who Knew Too Much (film score)
The Man Who Knew Too Much (film score) is a notable film soundtrack composed by Arthur Benjamin for Alfred Hitchcock’s thriller, best known for its dramatic orchestral music featured in the climactic concert hall sequence.
-
C.
The Tenth Man (TV film score)
The Tenth Man (TV film score) is a television film soundtrack composed by Lee Holdridge, known for its dramatic orchestral style that supports the adaptation of Graham Greene’s story.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
Love Is a Many-Splendored Thing (film score)
Love Is a Many-Splendored Thing is a romantic 1955 film score by Alfred Newman, renowned for its lush orchestration and iconic title theme that became a popular standard.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.