Paris Salon of 1863
E966398
UNEXPLORED
The Paris Salon of 1863 was a landmark French art exhibition best known for the controversial "Salon des Refusés," where works rejected by the official jury—such as Manet’s "Le Déjeuner sur l’herbe"—helped catalyze the rise of modern art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Paris Salon of 1863 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T12102405 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Paris Salon of 1863 Context triple: [Salon of 1863, alsoKnownAs, Paris Salon of 1863]
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A.
Paris Salon of 1882
The Paris Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading and emerging artists of the time.
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B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
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C.
Paris Salon of 1819
The Paris Salon of 1819 was the official French art exhibition where Théodore Géricault’s groundbreaking and controversial painting "The Raft of the Medusa" was first publicly displayed.
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D.
Exposition Universelle of 1855
The Exposition Universelle of 1855 was a major world's fair held in Paris that showcased industrial, artistic, and technological achievements of the mid-19th century, reinforcing France’s cultural and economic prestige.
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E.
Société Nationale des Beaux-Arts Salon
The Société Nationale des Beaux-Arts Salon was a prominent French art exhibition established in the late 19th century as an alternative to the official Paris Salon, showcasing more progressive and independent artists.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Paris Salon of 1863 Target entity description: The Paris Salon of 1863 was a landmark French art exhibition best known for the controversial "Salon des Refusés," where works rejected by the official jury—such as Manet’s "Le Déjeuner sur l’herbe"—helped catalyze the rise of modern art.
-
A.
Paris Salon of 1882
The Paris Salon of 1882 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, showcasing contemporary works by leading and emerging artists of the time.
-
B.
Paris Salon of 1884
The Paris Salon of 1884 was the official annual art exhibition of the French Académie des Beaux-Arts in Paris, serving as a major showcase for contemporary painting and sculpture in the late 19th century.
-
C.
Paris Salon of 1819
The Paris Salon of 1819 was the official French art exhibition where Théodore Géricault’s groundbreaking and controversial painting "The Raft of the Medusa" was first publicly displayed.
-
D.
Exposition Universelle of 1855
The Exposition Universelle of 1855 was a major world's fair held in Paris that showcased industrial, artistic, and technological achievements of the mid-19th century, reinforcing France’s cultural and economic prestige.
-
E.
Société Nationale des Beaux-Arts Salon
The Société Nationale des Beaux-Arts Salon was a prominent French art exhibition established in the late 19th century as an alternative to the official Paris Salon, showcasing more progressive and independent artists.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.