Piano Sonata No. 30 in E major, Op. 109
E945347
Piano Sonata No. 30 in E major, Op. 109 is one of Ludwig van Beethoven’s late piano sonatas, noted for its lyrical expressiveness, structural innovation, and profound emotional depth.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Piano Sonata No. 30 in E major, Op. 109 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11753125 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Piano Sonata No. 30 in E major, Op. 109 Context triple: [Beethoven piano sonatas, hasPart, Piano Sonata No. 30 in E major, Op. 109]
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A.
Piano Sonata No. 28 in A major, Op. 101
Piano Sonata No. 28 in A major, Op. 101 is one of Ludwig van Beethoven’s late piano sonatas, noted for its lyrical intimacy, structural innovation, and role in heralding his final stylistic period.
-
B.
Piano Sonata No. 13 in E-flat major, Op. 27 No. 1 "Quasi una fantasia"
Piano Sonata No. 13 in E-flat major, Op. 27 No. 1 "Quasi una fantasia" is a four-movement piano sonata by Ludwig van Beethoven noted for its unconventional, fantasia-like structure and lyrical character.
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C.
Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux"
Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux" is one of Ludwig van Beethoven’s later, programmatic piano sonatas, notable for its expressive depiction of farewell, absence, and reunion.
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D.
Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier"
Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier" is one of Ludwig van Beethoven’s most monumental and technically demanding piano sonatas, renowned for its scale, complexity, and profound musical depth.
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E.
Piano Sonata in F-sharp minor, Op. 81
Piano Sonata in F-sharp minor, Op. 81 is a substantial and expressive keyboard work by early Romantic composer Johann Nepomuk Hummel, showcasing his virtuosic pianistic style and lyrical inventiveness.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Piano Sonata No. 30 in E major, Op. 109 Target entity description: Piano Sonata No. 30 in E major, Op. 109 is one of Ludwig van Beethoven’s late piano sonatas, noted for its lyrical expressiveness, structural innovation, and profound emotional depth.
-
A.
Piano Sonata No. 28 in A major, Op. 101
Piano Sonata No. 28 in A major, Op. 101 is one of Ludwig van Beethoven’s late piano sonatas, noted for its lyrical intimacy, structural innovation, and role in heralding his final stylistic period.
-
B.
Piano Sonata No. 13 in E-flat major, Op. 27 No. 1 "Quasi una fantasia"
Piano Sonata No. 13 in E-flat major, Op. 27 No. 1 "Quasi una fantasia" is a four-movement piano sonata by Ludwig van Beethoven noted for its unconventional, fantasia-like structure and lyrical character.
-
C.
Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux"
Piano Sonata No. 26 in E-flat major, Op. 81a "Les Adieux" is one of Ludwig van Beethoven’s later, programmatic piano sonatas, notable for its expressive depiction of farewell, absence, and reunion.
-
D.
Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier"
Piano Sonata No. 29 in B-flat major, Op. 106 "Hammerklavier" is one of Ludwig van Beethoven’s most monumental and technically demanding piano sonatas, renowned for its scale, complexity, and profound musical depth.
-
E.
Piano Sonata in F-sharp minor, Op. 81
Piano Sonata in F-sharp minor, Op. 81 is a substantial and expressive keyboard work by early Romantic composer Johann Nepomuk Hummel, showcasing his virtuosic pianistic style and lyrical inventiveness.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
piano sonata ⓘ |
| approximateCompositionEnd | 1820 ⓘ |
| approximateCompositionStart | 1820 ⓘ |
| catalogNumber | Op. 109 ⓘ |
| composer | Ludwig van Beethoven ⓘ |
| countryOfOrigin | Austria ⓘ |
| dedicatedTo | Maximilian Joseph Leidesdorf NERFINISHED ⓘ |
| firstMovementTitle | Vivace ma non troppo – Adagio espressivo ⓘ |
| followedBy | Piano Sonata No. 31 in A-flat major, Op. 110 NERFINISHED ⓘ |
| follows | Piano Sonata No. 29 in B-flat major, Op. 106 NERFINISHED ⓘ |
| genre | classical music ⓘ |
| hasBeethovenWerkVerzeichnisNumber | Biamonti 585 NERFINISHED ⓘ |
| historicalContext |
composed after the Hammerklavier Sonata
ⓘ
composed when Beethoven was almost completely deaf ⓘ |
| instrumentation | solo piano ⓘ |
| key | E major ⓘ |
| languageOfMovementMarkings |
German
GENERATED
ⓘ
Italian GENERATED ⓘ |
| movementCount | 3 ⓘ |
| notableFeature |
advanced harmonic language
ⓘ
complex rhythmic structure ⓘ expressive use of variation form ⓘ intimate, introspective character ⓘ |
| notedFor |
lyrical expressiveness
ⓘ
profound emotional depth ⓘ structural innovation ⓘ |
| numberInSeries | 30 ⓘ |
| opusGroup | Opus 109–111 piano sonatas NERFINISHED ⓘ |
| partOf |
Beethoven late piano sonatas
NERFINISHED
ⓘ
Beethoven piano sonatas NERFINISHED ⓘ |
| period | late Beethoven period ⓘ |
| placeInComposerOutput | one of Beethoven’s last three piano sonatas ⓘ |
| placeOfComposition | Vienna NERFINISHED ⓘ |
| publisher | Schlesinger NERFINISHED ⓘ |
| secondMovementKey | E minor ⓘ |
| secondMovementTitle | Prestissimo ⓘ |
| structureFeature |
contrasting first-movement sections
ⓘ
cyclical integration of movements ⓘ finale as theme and variations ⓘ |
| stylePeriod |
Romantic-era precursor
ⓘ
late Classical ⓘ |
| thirdMovementForm | theme and variations ⓘ |
| thirdMovementKey | E major ⓘ |
| thirdMovementTitle | Gesangvoll, mit innigster Empfindung ⓘ |
| tonalCenter | E major ⓘ |
| typicalPerformanceDuration | about 18 minutes ⓘ |
| workTitleLanguage | German ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Piano Sonata No. 30 in E major, Op. 109 Description of subject: Piano Sonata No. 30 in E major, Op. 109 is one of Ludwig van Beethoven’s late piano sonatas, noted for its lyrical expressiveness, structural innovation, and profound emotional depth.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.