Artaria (first edition context for Op. 130/133)
E945003
Artaria was a prominent early 19th-century Viennese music publisher that issued the first edition of Beethoven’s String Quartet Op. 130 and its original finale, the Grosse Fuge Op. 133.
Observed surface forms (1)
| Surface form | Occurrences |
|---|---|
| Artaria | 0 |
Statements (29)
| Predicate | Object |
|---|---|
| instanceOf |
Viennese company
ⓘ
music publisher ⓘ publishing house ⓘ |
| activeInCentury | 19th century ⓘ |
| associatedWithComposer | Ludwig van Beethoven NERFINISHED ⓘ |
| basedIn | Vienna NERFINISHED ⓘ |
| contributedTo | dissemination of Beethoven’s late quartets ⓘ |
| country | Austria ⓘ |
| genrePublished |
chamber music
ⓘ
string quartets ⓘ |
| historicalPeriod | early 19th century ⓘ |
| historicalSignificance | important early 19th-century Viennese music publisher ⓘ |
| industry |
music printing
ⓘ
sheet music trade ⓘ |
| languageOfBusiness | German ⓘ |
| locationDuringBeethovenEra | Vienna, Austrian Empire GENERATED ⓘ |
| mediumPublished | printed scores ⓘ |
| notablePublication |
first edition of Beethoven’s Grosse Fuge, Op. 133
ⓘ
first edition of Beethoven’s Op. 130 with original finale ⓘ |
| operatedInCityKnownFor | Vienna as a center of classical music ⓘ |
| publishedFirstEditionOf |
Ludwig van Beethoven, Grosse Fuge, Op. 133
NERFINISHED
ⓘ
Ludwig van Beethoven, String Quartet in B-flat major, Op. 130 NERFINISHED ⓘ |
| publishedFor |
amateur musicians
ⓘ
professional musicians ⓘ |
| publishedGenre | instrumental music ⓘ |
| publishedWorkBy | Ludwig van Beethoven NERFINISHED ⓘ |
| regionOfInfluence | Central Europe NERFINISHED ⓘ |
| roleInBeethovenReception | early disseminator of Beethoven’s string quartets GENERATED ⓘ |
| specializedIn | music publishing ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.