Fūshikaden
E944852
Fūshikaden is a foundational treatise on Noh theatre that outlines its aesthetic principles, performance techniques, and philosophical underpinnings.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Fūshikaden canonical | 2 |
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
Noh treatise
ⓘ
book ⓘ theoretical work on theatre ⓘ treatise ⓘ |
| addresses |
ethical discipline of the performer
ⓘ
relationship between actor and audience ⓘ stages of artistic development ⓘ transmission of artistic tradition ⓘ |
| alsoKnownAs | Kadensho NERFINISHED ⓘ |
| associatedWith | Kanze school of Noh NERFINISHED ⓘ |
| author | Zeami Motokiyo NERFINISHED ⓘ |
| countryOfOrigin | Japan ⓘ |
| describes |
role types in Noh theatre
ⓘ
staging conventions in Noh ⓘ training methods for Noh actors ⓘ use of movement and gesture in Noh ⓘ vocal delivery in Noh performance ⓘ |
| emphasizes |
balance of technique and spirit in performance
ⓘ
importance of tradition and innovation in Noh ⓘ subtlety and restraint in expression ⓘ |
| focusesOn |
aesthetic principles of Noh
ⓘ
performance techniques in Noh ⓘ philosophical foundations of Noh ⓘ |
| genre |
aesthetic treatise
ⓘ
performance theory ⓘ |
| hasReputation |
classic of Japanese performance theory
ⓘ
foundational text of Noh theory ⓘ |
| influenced |
Japanese theatre aesthetics
ⓘ
later Noh performance practice ⓘ |
| intendedAudience |
Noh practitioners
ⓘ
students of Noh acting ⓘ |
| keyConcept |
hana (the flower)
ⓘ
inner and outer form in acting ⓘ monomane (imitation) ⓘ yūgen ⓘ |
| mainSubject | Noh theatre NERFINISHED ⓘ |
| originalLanguage | Classical Japanese ⓘ |
| partOf | Zeami’s theoretical writings on Noh ⓘ |
| periodDescribed | Muromachi period Noh ⓘ |
| philosophicalOrientation | Zen-influenced aesthetics ⓘ |
| preservedAs | manuscript tradition in Noh schools ⓘ |
| structureIncludes | sections on training from childhood to maturity ⓘ |
| studiedIn |
Japanese theatre studies
ⓘ
Noh actor training ⓘ |
| timePeriodOfComposition | early 15th century ⓘ |
| writtenBy | a leading Noh playwright ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.