"Klänge der Heimat"
E943554
"Klänge der Heimat" is a celebrated soprano aria sung by Rosalinde in Johann Strauss II’s operetta *Die Fledermaus*, known for its virtuosic coloratura passages and nostalgic character.
All labels observed (1)
| Label | Occurrences |
|---|---|
| "Klänge der Heimat" canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11755680 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: "Klänge der Heimat" Context triple: [Die Fledermaus, famousNumber, "Klänge der Heimat"]
-
A.
Rückert-Lieder
Rückert-Lieder is a song cycle by Gustav Mahler that sets to music several introspective and lyrical poems by Friedrich Rückert for voice and orchestra or piano.
-
B.
Gesang der Jünglinge
Gesang der Jünglinge is a pioneering 1956 electroacoustic composition by Karlheinz Stockhausen that combines electronically generated sounds with a boy’s voice, often cited as a landmark in the history of electronic music.
-
C.
"Des Baches Wiegenlied"
"Des Baches Wiegenlied" is the gentle, concluding lullaby song in Franz Schubert’s song cycle "Die schöne Müllerin," in which the brook soothes the miller to his final rest.
-
D.
Stummplatz
Stummplatz is a central public square in Neunkirchen, Germany, known as a focal point for local commerce and community events.
-
E.
Hansa by the Wall
Hansa by the Wall is the famed Berlin recording studio near the former Berlin Wall, known for hosting iconic sessions by artists such as David Bowie, Iggy Pop, and U2.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: "Klänge der Heimat" Target entity description: "Klänge der Heimat" is a celebrated soprano aria sung by Rosalinde in Johann Strauss II’s operetta *Die Fledermaus*, known for its virtuosic coloratura passages and nostalgic character.
-
A.
Rückert-Lieder
Rückert-Lieder is a song cycle by Gustav Mahler that sets to music several introspective and lyrical poems by Friedrich Rückert for voice and orchestra or piano.
-
B.
Gesang der Jünglinge
Gesang der Jünglinge is a pioneering 1956 electroacoustic composition by Karlheinz Stockhausen that combines electronically generated sounds with a boy’s voice, often cited as a landmark in the history of electronic music.
-
C.
"Des Baches Wiegenlied"
"Des Baches Wiegenlied" is the gentle, concluding lullaby song in Franz Schubert’s song cycle "Die schöne Müllerin," in which the brook soothes the miller to his final rest.
-
D.
Stummplatz
Stummplatz is a central public square in Neunkirchen, Germany, known as a focal point for local commerce and community events.
-
E.
Hansa by the Wall
Hansa by the Wall is the famed Berlin recording studio near the former Berlin Wall, known for hosting iconic sessions by artists such as David Bowie, Iggy Pop, and U2.
- F. None of above. chosen
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
coloratura aria
ⓘ
opera aria ⓘ soprano aria ⓘ |
| alsoKnownAs |
Csárdás
ⓘ
Rosalinde’s Csárdás NERFINISHED ⓘ |
| associatedKey | B minor ⓘ |
| characterOfMusic | nostalgic ⓘ |
| characterRole | sung by the female lead of Die Fledermaus ⓘ |
| composer | Johann Strauss II NERFINISHED ⓘ |
| countryOfOrigin | Austria ⓘ |
| difficulty | advanced ⓘ |
| firstPerformanceWork | Die Fledermaus premiere 1874 ⓘ |
| form | csárdás ⓘ |
| genre | operetta aria ⓘ |
| language | German ⓘ |
| lyricTheme | homesickness for the Hungarian homeland ⓘ |
| notableFeature | virtuosic coloratura passages ⓘ |
| notableFor |
dramatic contrasts between slow and fast sections
ⓘ
wide leaps and rapid passagework ⓘ |
| partOfWork | Die Fledermaus NERFINISHED ⓘ |
| performanceContext | Rosalinde impersonates a Hungarian countess ⓘ |
| period | Romantic era ⓘ |
| positionInWork | Act II NERFINISHED ⓘ |
| sungByCharacter | Rosalinde NERFINISHED ⓘ |
| tempoStructure | slow introduction followed by fast section ⓘ |
| typicalPerformanceLanguage | German ⓘ |
| usedIn | coloratura soprano repertoire ⓘ |
| vocalRange | high soprano ⓘ |
| voiceType | soprano ⓘ |
| workNumberInComposerOutput | from operetta op. 362 (Die Fledermaus) ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: "Klänge der Heimat" Description of subject: "Klänge der Heimat" is a celebrated soprano aria sung by Rosalinde in Johann Strauss II’s operetta *Die Fledermaus*, known for its virtuosic coloratura passages and nostalgic character.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.