II. Allegro appassionato
E940450
"II. Allegro appassionato" is the fiery, dramatic second movement of Johannes Brahms's Piano Concerto No. 2 in B-flat major, Op. 83, known for its passionate intensity and virtuosic piano writing.
All labels observed (1)
| Label | Occurrences |
|---|---|
| II. Allegro appassionato canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11676970 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: II. Allegro appassionato Context triple: [Piano Concerto No. 2 in B-flat major, Op. 83, movement, II. Allegro appassionato]
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A.
IV. Allegro con brio
"IV. Allegro con brio" is the vigorous, high-spirited final movement of Beethoven’s Symphony No. 7 in A major, Op. 92, renowned for its relentless rhythmic drive and exuberant energy.
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B.
II. Andante con espressione
II. Andante con espressione is the lyrical slow movement of Scriabin’s Piano Sonata No. 2 in F-sharp minor, characterized by its expressive, song-like melodies and atmospheric, introspective mood.
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C.
Appassionata
Appassionata is the popular nickname for Beethoven’s dramatic and emotionally intense Piano Sonata No. 23 in F minor, Op. 57.
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D.
III. Andante elegiaco
III. Andante elegiaco is the slow, elegiac third movement of Tchaikovsky’s Third Symphony, noted for its lyrical melancholy and expressive orchestral writing.
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E.
III. Scherzo: Allegro pesante
"III. Scherzo: Allegro pesante" is the vigorous, rhythmically driving scherzo movement of Antonín Dvořák’s Symphony No. 9 in E minor, often noted for its dance-like energy and dramatic contrasts.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: II. Allegro appassionato Target entity description: "II. Allegro appassionato" is the fiery, dramatic second movement of Johannes Brahms's Piano Concerto No. 2 in B-flat major, Op. 83, known for its passionate intensity and virtuosic piano writing.
-
A.
IV. Allegro con brio
"IV. Allegro con brio" is the vigorous, high-spirited final movement of Beethoven’s Symphony No. 7 in A major, Op. 92, renowned for its relentless rhythmic drive and exuberant energy.
-
B.
II. Andante con espressione
II. Andante con espressione is the lyrical slow movement of Scriabin’s Piano Sonata No. 2 in F-sharp minor, characterized by its expressive, song-like melodies and atmospheric, introspective mood.
-
C.
Appassionata
Appassionata is the popular nickname for Beethoven’s dramatic and emotionally intense Piano Sonata No. 23 in F minor, Op. 57.
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D.
III. Andante elegiaco
III. Andante elegiaco is the slow, elegiac third movement of Tchaikovsky’s Third Symphony, noted for its lyrical melancholy and expressive orchestral writing.
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E.
III. Scherzo: Allegro pesante
"III. Scherzo: Allegro pesante" is the vigorous, rhythmically driving scherzo movement of Antonín Dvořák’s Symphony No. 9 in E minor, often noted for its dance-like energy and dramatic contrasts.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
concerto movement
ⓘ
musical work ⓘ |
| associatedNationalityOfComposer | German ⓘ |
| belongsToCatalogue | Brahms Piano Concerto No. 2 NERFINISHED ⓘ |
| cataloguedAsPartOf | Piano Concerto No. 2 in B-flat major, Op. 83 NERFINISHED ⓘ |
| composer | Johannes Brahms NERFINISHED ⓘ |
| compositionEndYear | 1881 ⓘ |
| compositionStartYear | 1878 ⓘ |
| contrastWith |
I. Allegro non troppo
ⓘ
III. Andante ⓘ IV. Allegretto grazioso ⓘ |
| era | late 19th century ⓘ |
| features |
dramatic character
ⓘ
fiery intensity ⓘ passionate expression ⓘ virtuosic piano writing ⓘ |
| genre | Romantic concerto movement ⓘ |
| hasAccompanyingEnsemble | symphony orchestra ⓘ |
| hasMainSoloInstrument | piano GENERATED ⓘ |
| hasTonality | minor mode ⓘ |
| instrumentation | piano and orchestra ⓘ |
| key | D minor ⓘ |
| languageOfTitle | Italian ⓘ |
| movementNumber | 2 ⓘ |
| notableFor |
demanding piano technique
ⓘ
dense orchestral writing ⓘ intense thematic development ⓘ |
| opusNumber | Op. 83 ⓘ |
| parentWorkCatalogueNumber | Op. 83 ⓘ |
| parentWorkComposer | Johannes Brahms NERFINISHED ⓘ |
| parentWorkForm | piano concerto ⓘ |
| parentWorkKey | B-flat major ⓘ |
| partOf | Piano Concerto No. 2 in B-flat major, Op. 83 NERFINISHED ⓘ |
| period | Romantic era NERFINISHED ⓘ |
| premiereWorkCity | Budapest NERFINISHED ⓘ |
| premiereWorkConductor | Alexander Erkel NERFINISHED ⓘ |
| premiereWorkOrchestra | Budapest Philharmonic Orchestra NERFINISHED ⓘ |
| premiereWorkSoloist | Johannes Brahms NERFINISHED ⓘ |
| premiereWorkYear | 1881 ⓘ |
| style | Brahmsian symphonic concerto style ⓘ |
| tempoMarking | Allegro appassionato ⓘ |
| titleTranslation | Fast and passionate ⓘ |
| typicalDurationRange | 8–10 minutes ⓘ |
| typicalPerformanceRole | central dramatic movement of the concerto ⓘ |
| workStructureRole | scherzo-like movement ⓘ |
| workTitleLanguage | Italian ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: II. Allegro appassionato Description of subject: "II. Allegro appassionato" is the fiery, dramatic second movement of Johannes Brahms's Piano Concerto No. 2 in B-flat major, Op. 83, known for its passionate intensity and virtuosic piano writing.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.