Symphony No. 39 in E-flat major
E939923
Symphony No. 39 in E-flat major is one of Wolfgang Amadeus Mozart’s final symphonies, noted for its grand orchestration, rich harmonic language, and pivotal role in his late symphonic trilogy.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 39 in E-flat major canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11590441 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 39 in E-flat major Context triple: [Symphony No. 41 in C major "Jupiter", relatedWorkByComposer, Symphony No. 39 in E-flat major]
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A.
Symphony No. 41 in C major "Jupiter"
Symphony No. 41 in C major "Jupiter" is Mozart’s final and grandest symphony, celebrated for its majestic character and masterful contrapuntal finale.
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B.
Symphony No. 94 in G major "Surprise"
Symphony No. 94 in G major "Surprise" is a famous symphony by Joseph Haydn, renowned for its sudden loud chord in the otherwise soft second movement that gives the work its nickname.
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C.
Symphony No. 25 in G minor
Symphony No. 25 in G minor is an early, dramatic symphony by Wolfgang Amadeus Mozart, noted for its intense Sturm und Drang character and prominent use in popular culture, including the film "Amadeus."
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D.
Symphony in E-flat
Symphony in E-flat is a large-scale orchestral work by German composer Paul Hindemith, exemplifying his neoclassical style and intricate contrapuntal writing.
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E.
Symphony No. 4 in D minor, Op. 95
Symphony No. 4 in D minor, Op. 95 is a large-scale Romantic symphony by Russian composer Anton Rubinstein, noted for its dramatic intensity and rich orchestration.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 39 in E-flat major Target entity description: Symphony No. 39 in E-flat major is one of Wolfgang Amadeus Mozart’s final symphonies, noted for its grand orchestration, rich harmonic language, and pivotal role in his late symphonic trilogy.
-
A.
Symphony No. 41 in C major "Jupiter"
Symphony No. 41 in C major "Jupiter" is Mozart’s final and grandest symphony, celebrated for its majestic character and masterful contrapuntal finale.
-
B.
Symphony No. 94 in G major "Surprise"
Symphony No. 94 in G major "Surprise" is a famous symphony by Joseph Haydn, renowned for its sudden loud chord in the otherwise soft second movement that gives the work its nickname.
-
C.
Symphony No. 25 in G minor
Symphony No. 25 in G minor is an early, dramatic symphony by Wolfgang Amadeus Mozart, noted for its intense Sturm und Drang character and prominent use in popular culture, including the film "Amadeus."
-
D.
Symphony in E-flat
Symphony in E-flat is a large-scale orchestral work by German composer Paul Hindemith, exemplifying his neoclassical style and intricate contrapuntal writing.
-
E.
Symphony No. 4 in D minor, Op. 95
Symphony No. 4 in D minor, Op. 95 is a large-scale Romantic symphony by Russian composer Anton Rubinstein, noted for its dramatic intensity and rich orchestration.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphony ⓘ |
| approximateDuration | about 30 minutes ⓘ |
| catalogNumber | K. 543 ⓘ |
| composer | Wolfgang Amadeus Mozart NERFINISHED ⓘ |
| compositionYear | 1788 ⓘ |
| dedicationStatus | no known dedication ⓘ |
| firstMovementKey | E-flat major ⓘ |
| firstMovementTitle | Adagio – Allegro ⓘ |
| followedBy |
Symphony No. 40 in G minor, K. 550
NERFINISHED
ⓘ
Symphony No. 41 in C major, K. 551 NERFINISHED ⓘ |
| fourthMovementKey | E-flat major ⓘ |
| fourthMovementTitle | Allegro ⓘ |
| genre | symphonic music ⓘ |
| historicalSignificance | central work of Mozart’s late symphonic trilogy ⓘ |
| key | E-flat major ⓘ |
| language | instrumental ⓘ |
| movementCount | 4 ⓘ |
| notableCharacteristic |
contrapuntal writing
ⓘ
expanded introduction in first movement ⓘ grand orchestration ⓘ rich harmonic language ⓘ |
| numberInSeries | 39 ⓘ |
| opusStatus | one of Mozart’s final symphonies ⓘ |
| orchestrationFeature |
no clarinets
ⓘ
pairs of bassoons ⓘ pairs of horns ⓘ pairs of oboes ⓘ prominent woodwind writing ⓘ strings ⓘ trumpets and timpani ⓘ |
| partOf | Mozart’s late symphonic trilogy ⓘ |
| period | Classical period ⓘ |
| placeOfComposition | Vienna NERFINISHED ⓘ |
| precededBy | Symphony No. 38 in D major, K. 504 NERFINISHED ⓘ |
| secondMovementKey | A-flat major ⓘ |
| secondMovementTitle | Andante con moto ⓘ |
| structureFeature |
fast finale
ⓘ
minuet and trio third movement ⓘ slow introduction to first movement ⓘ sonata-form first movement ⓘ |
| style | Classical ⓘ |
| thirdMovementKey | E-flat major ⓘ |
| thirdMovementTitle | Menuetto (Allegretto) NERFINISHED ⓘ |
| tonalCenter | E-flat major ⓘ |
| trioKey | C minor ⓘ |
| workSeries | late symphonies of Mozart ⓘ |
| workType | symphony ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 39 in E-flat major Description of subject: Symphony No. 39 in E-flat major is one of Wolfgang Amadeus Mozart’s final symphonies, noted for its grand orchestration, rich harmonic language, and pivotal role in his late symphonic trilogy.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.