Beethoven’s Tenth
E935782
Beethoven’s Tenth is the popular nickname for Brahms’s Symphony No. 1 in C minor, Op. 68, reflecting its perceived status as a spiritual successor to Beethoven’s symphonic legacy.
Statements (24)
| Predicate | Object |
|---|---|
| instanceOf | nickname ⓘ |
| appliedAfterPremiereOf | Brahms’s Symphony No. 1 in C minor, Op. 68 NERFINISHED ⓘ |
| appliedToComposer | Johannes Brahms NERFINISHED ⓘ |
| associatedWithComposer | Ludwig van Beethoven NERFINISHED ⓘ |
| associatedWithGenre | symphony ⓘ |
| associatedWithKey | C minor GENERATED ⓘ |
| associatedWithOpusNumber | Op. 68 GENERATED ⓘ |
| category | classical music nickname ⓘ |
| connotation | spiritual successor to Beethoven’s symphonies ⓘ |
| era | Romantic era reception ⓘ |
| hasAlternativeName | Beethoven’s Tenth Symphony NERFINISHED ⓘ |
| hasCulturalMeaning | acknowledgment of Brahms as heir to Beethoven’s symphonic legacy ⓘ |
| hasNicknameFor | Brahms’s Symphony No. 1 in C minor, Op. 68 NERFINISHED ⓘ |
| impliesInfluenceOf | Beethoven’s symphonic style ⓘ |
| language | English ⓘ |
| perceivedStatus |
landmark in post-Beethoven symphonic writing
ⓘ
major 19th-century symphony ⓘ |
| refersTo |
Brahms’s Symphony No. 1
NERFINISHED
ⓘ
Symphony No. 1 in C minor, Op. 68 NERFINISHED ⓘ |
| relatesToConcept | continuation of the German symphonic tradition ⓘ |
| relatesToWork | Beethoven’s Symphony No. 9 in D minor, Op. 125 NERFINISHED ⓘ |
| usedBy |
classical music audiences
ⓘ
music critics ⓘ music historians ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.