The Haunted

E934458

The Haunted is the final play in Eugene O’Neill’s trilogy Mourning Becomes Electra, dramatizing the psychological and moral aftermath of a family’s cycle of betrayal, murder, and guilt.

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Statements (44)

Predicate Object
instanceOf play
theatrical work
author Eugene O’Neill NERFINISHED
basedOn The Oresteia NERFINISHED
belongsToWork Mourning Becomes Electra trilogy NERFINISHED
centralConflict Lavinia and Orin’s struggle with inherited guilt and desire for expiation
countryOfOrigin United States of America
surface form: United States
dramaticFunction conclusion of the Mannon family saga
dramaticMode realist tragedy
firstPerformance 1931
firstPerformanceOfTrilogy 1931 Broadway production of Mourning Becomes Electra GENERATED
follows The Hunted NERFINISHED
genre family drama
psychological drama
tragedy
hasTrilogyPart Homecoming NERFINISHED
The Hunted NERFINISHED
inspiredBy Aeschylus’ Oresteia trilogy NERFINISHED
language English
literaryMovement modernist drama
mainCharacter Christine Mannon NERFINISHED
Lavinia Mannon NERFINISHED
Orin Mannon NERFINISHED
narrativeFocus aftermath of betrayal and murder in the Mannon family
notableFor Freudian influence in character motivations
intense psychological characterization
updating Greek tragedy to an American setting
originalMedium stage
partOf Mourning Becomes Electra NERFINISHED
partOfCycle family cycle of betrayal, murder, and guilt
precededBy The Hunted NERFINISHED
seriesPosition third play in the Mourning Becomes Electra trilogy
setting New England NERFINISHED
settingTime post-American Civil War era
structure three-act play
theme family curse
guilt
incestuous desire
isolation
moral responsibility
psychological trauma
retribution
revenge
writer Eugene O’Neill NERFINISHED

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.

Mourning Becomes Electra hasPart The Haunted
Geoffrey Lewis notableWork The Haunted