Sanctus section of the Mass in B minor
E928431
The Sanctus section of the Mass in B minor is a central choral movement in J.S. Bach’s monumental Latin Mass, characterized by its majestic polyphony and liturgical praise of God’s holiness.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Sanctus (Mass in B minor) | 1 |
| Sanctus section of the Mass in B minor canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11474802 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Sanctus section of the Mass in B minor Context triple: [Osanna, follows, Sanctus section of the Mass in B minor]
-
A.
Mass No. 1 in D minor
Mass No. 1 in D minor is a large-scale sacred choral and orchestral composition by Anton Bruckner that showcases his early symphonic style and rich liturgical writing.
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B.
Great Mass in C minor
The Great Mass in C minor is one of Mozart’s most ambitious and grand sacred choral works, renowned for its dramatic contrasts, intricate counterpoint, and expressive vocal writing.
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C.
Mass in G minor
Mass in G minor is an a cappella choral work by Ralph Vaughan Williams that blends Renaissance polyphonic style with early 20th-century harmonic language.
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D.
Mass in D major, Op. 86
Mass in D major, Op. 86 is a choral and orchestral sacred composition by Antonín Dvořák that showcases his lyrical Romantic style within the traditional Catholic mass form.
-
E.
Mass No. 6 in E-flat major
Mass No. 6 in E-flat major is a late, large-scale sacred choral work by Franz Schubert, noted for its symphonic scope and rich Romantic harmonies.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Sanctus section of the Mass in B minor Target entity description: The Sanctus section of the Mass in B minor is a central choral movement in J.S. Bach’s monumental Latin Mass, characterized by its majestic polyphony and liturgical praise of God’s holiness.
-
A.
Mass No. 1 in D minor
Mass No. 1 in D minor is a large-scale sacred choral and orchestral composition by Anton Bruckner that showcases his early symphonic style and rich liturgical writing.
-
B.
Great Mass in C minor
The Great Mass in C minor is one of Mozart’s most ambitious and grand sacred choral works, renowned for its dramatic contrasts, intricate counterpoint, and expressive vocal writing.
-
C.
Mass in G minor
Mass in G minor is an a cappella choral work by Ralph Vaughan Williams that blends Renaissance polyphonic style with early 20th-century harmonic language.
-
D.
Mass in D major, Op. 86
Mass in D major, Op. 86 is a choral and orchestral sacred composition by Antonín Dvořák that showcases his lyrical Romantic style within the traditional Catholic mass form.
-
E.
Mass No. 6 in E-flat major
Mass No. 6 in E-flat major is a late, large-scale sacred choral work by Franz Schubert, noted for its symphonic scope and rich Romantic harmonies.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
choral movement
ⓘ
liturgical movement ⓘ |
| associatedCity | Leipzig NERFINISHED ⓘ |
| associatedDenomination | Roman Catholic tradition ⓘ |
| associatedReligion | Christianity ⓘ |
| catalogueNumberOfWholeWork | BWV 232 NERFINISHED ⓘ |
| characterizedBy |
complex choral writing
ⓘ
festive orchestration ⓘ majestic polyphony ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| countryOfOrigin | Electorate of Saxony (historical, present-day Germany) NERFINISHED ⓘ |
| genre |
Baroque choral music
ⓘ
sacred music ⓘ |
| key | D major ⓘ |
| language | Latin ⓘ |
| liturgicalFunction | praise of God’s holiness ⓘ |
| liturgicalPlacement | after the Preface in the Mass Ordinary ⓘ |
| liturgicalText | Sanctus NERFINISHED ⓘ |
| notableFeature |
contrapuntal texture
ⓘ
double-choir writing (pleni sunt caeli) in many performances and editions ⓘ triple Holy acclamation ⓘ |
| partOf |
Mass in B minor
NERFINISHED
ⓘ
Ordinary of the Mass NERFINISHED ⓘ |
| performanceContext |
concert performance
ⓘ
liturgical performance ⓘ |
| period | Baroque ⓘ |
| positionInWork | later section of the Mass in B minor ⓘ |
| relatedWork | Osanna section of the Mass in B minor ⓘ |
| scoring |
continuo
ⓘ
mixed choir ⓘ orchestra ⓘ strings ⓘ timpani ⓘ trumpets ⓘ woodwinds ⓘ |
| style | high Baroque sacred style ⓘ |
| tempoCharacter | majestic ⓘ |
| textIncipit | Sanctus, Sanctus, Sanctus ⓘ |
| textSource | Ordinary of the Roman Catholic Mass NERFINISHED ⓘ |
| textTheme |
heaven and earth filled with divine glory
ⓘ
holiness of God ⓘ |
| texture |
choral-orchestral
ⓘ
polyphonic ⓘ |
| usesText |
“Hosanna in excelsis”
ⓘ
“Pleni sunt caeli et terra gloria tua” ⓘ “Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth” ⓘ |
| workBy | Johann Sebastian Bach NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Sanctus section of the Mass in B minor Description of subject: The Sanctus section of the Mass in B minor is a central choral movement in J.S. Bach’s monumental Latin Mass, characterized by its majestic polyphony and liturgical praise of God’s holiness.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.