Enlightenment aesthetics
E920526
Enlightenment aesthetics is a philosophical approach to art and beauty that emerged in 18th-century Europe, emphasizing reason, universal principles, and critical reflection on artistic imitation and taste.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Enlightenment aesthetics canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T11342421 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Enlightenment aesthetics Context triple: [Gedanken über die Nachahmung der griechischen Werke in der Malerei und Bildhauerkunst, movement, Enlightenment aesthetics]
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A.
Enlightenment philosophy
Enlightenment philosophy was an 18th-century intellectual movement emphasizing reason, individual rights, empirical inquiry, and skepticism of traditional authority in politics, religion, and society.
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B.
Aesthetics
Aesthetics is a major theoretical work by Marxist philosopher György Lukács that systematically explores the nature, function, and social role of art and artistic creation.
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C.
Enlightenment encyclopedism
Enlightenment encyclopedism was an 18th-century intellectual movement that sought to systematically collect, organize, and disseminate all human knowledge in accessible reference works, epitomized by projects like Diderot and d’Alembert’s Encyclopédie.
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D.
Herder and the Enlightenment
Herder and the Enlightenment is an influential essay examining Johann Gottfried Herder’s complex relationship with Enlightenment thought, particularly his critiques of rationalism and his contributions to ideas of culture, history, and nationalism.
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E.
Aestheticism
Aestheticism was a late 19th-century artistic and literary movement that championed beauty, sensory experience, and “art for art’s sake” over moral or social themes.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Enlightenment aesthetics Target entity description: Enlightenment aesthetics is a philosophical approach to art and beauty that emerged in 18th-century Europe, emphasizing reason, universal principles, and critical reflection on artistic imitation and taste.
-
A.
Enlightenment philosophy
Enlightenment philosophy was an 18th-century intellectual movement emphasizing reason, individual rights, empirical inquiry, and skepticism of traditional authority in politics, religion, and society.
-
B.
Aesthetics
Aesthetics is a major theoretical work by Marxist philosopher György Lukács that systematically explores the nature, function, and social role of art and artistic creation.
-
C.
Enlightenment encyclopedism
Enlightenment encyclopedism was an 18th-century intellectual movement that sought to systematically collect, organize, and disseminate all human knowledge in accessible reference works, epitomized by projects like Diderot and d’Alembert’s Encyclopédie.
-
D.
Herder and the Enlightenment
Herder and the Enlightenment is an influential essay examining Johann Gottfried Herder’s complex relationship with Enlightenment thought, particularly his critiques of rationalism and his contributions to ideas of culture, history, and nationalism.
-
E.
Aestheticism
Aestheticism was a late 19th-century artistic and literary movement that championed beauty, sensory experience, and “art for art’s sake” over moral or social themes.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
18th‑century philosophical current
ⓘ
aesthetic theory ⓘ philosophical movement in aesthetics ⓘ |
| associatedWithHistoricalPeriod | the Enlightenment NERFINISHED ⓘ |
| claims |
aesthetic judgments aspire to universality
ⓘ
taste can be educated ⓘ |
| concerns |
aesthetic experience
ⓘ
criteria of beauty ⓘ judgment of taste ⓘ relation between art and nature ⓘ role of reason in aesthetic judgment ⓘ universality of aesthetic judgments ⓘ |
| developedBy |
Alexander Gottlieb Baumgarten
NERFINISHED
ⓘ
David Hume NERFINISHED ⓘ Denis Diderot NERFINISHED ⓘ Edmund Burke NERFINISHED ⓘ Gotthold Ephraim Lessing NERFINISHED ⓘ Immanuel Kant NERFINISHED ⓘ |
| distinguishes | the beautiful from the sublime ⓘ |
| emergedInCentury | 18th century ⓘ |
| emergedInRegion | Europe NERFINISHED ⓘ |
| emphasizes |
artistic imitation
ⓘ
critical reflection ⓘ reason ⓘ taste ⓘ universal principles ⓘ |
| focusesOn |
art
ⓘ
beauty ⓘ |
| influenced |
19th‑century aesthetics
ⓘ
Romantic aesthetics ⓘ modern philosophy of art ⓘ |
| influencedBy |
Enlightenment philosophy
ⓘ
empiricism ⓘ rationalism ⓘ |
| keyWork |
Alexander Gottlieb Baumgarten’s "Aesthetica"
NERFINISHED
ⓘ
David Hume’s "Of the Standard of Taste" NERFINISHED ⓘ Edmund Burke’s "A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful" NERFINISHED ⓘ Gotthold Ephraim Lessing’s "Laocoön" NERFINISHED ⓘ Immanuel Kant’s "Critique of Judgment" NERFINISHED ⓘ |
| partOf |
Enlightenment intellectual history
NERFINISHED
ⓘ
history of aesthetics ⓘ |
| relatedToConcept |
aesthetic judgment
ⓘ
disinterested pleasure ⓘ genius ⓘ mimesis ⓘ taste ⓘ the beautiful ⓘ the sublime ⓘ |
| viewsArtAs |
capable of expressing universal truths
ⓘ
subject to rational criticism ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Enlightenment aesthetics Description of subject: Enlightenment aesthetics is a philosophical approach to art and beauty that emerged in 18th-century Europe, emphasizing reason, universal principles, and critical reflection on artistic imitation and taste.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.