All This I Do for Glory
E918397
All This I Do for Glory is an experimental solo album by saxophonist and composer Colin Stetson, known for its intense, rhythmically intricate soundscapes created through extended techniques and live, unedited performances.
Statements (40)
| Predicate | Object |
|---|---|
| instanceOf |
album
ⓘ
solo album ⓘ studio album ⓘ |
| artist | Colin Stetson NERFINISHED ⓘ |
| composer | Colin Stetson NERFINISHED ⓘ |
| countryOfOrigin | Canada ⓘ |
| creator | Colin Stetson NERFINISHED ⓘ |
| criticalReception | generally positive reviews ⓘ |
| describedAs | experimental solo saxophone album ⓘ |
| editing | unedited performances ⓘ |
| emphasizes |
physicality of performance
ⓘ
rhythmic complexity ⓘ |
| features |
breath and valve noise as rhythm
ⓘ
circular breathing ⓘ key-click percussion ⓘ multiphonics ⓘ |
| follows |
Never Were the Way She Was
NERFINISHED
ⓘ
New History Warfare Vol. 3: To See More Light NERFINISHED ⓘ |
| genre |
avant-garde jazz
ⓘ
drone ⓘ experimental music ⓘ minimalism ⓘ |
| hasPart | title track "All This I Do for Glory" ⓘ |
| hasType | conceptual album ⓘ |
| intendedFormat | full-length album ⓘ |
| involves | close-mic recording techniques ⓘ |
| language | instrumental ⓘ |
| mainInstrument | saxophone ⓘ |
| medium |
compact disc
ⓘ
digital audio ⓘ vinyl record ⓘ |
| notableCharacteristic |
intense sonic textures
ⓘ
rhythmically intricate soundscapes ⓘ |
| partOf | Colin Stetson discography ⓘ |
| performer | Colin Stetson NERFINISHED ⓘ |
| producer | Colin Stetson NERFINISHED ⓘ |
| recordingApproach | single-take performances ⓘ |
| recordingStyle | live performance ⓘ |
| soundDesign | layered saxophone textures created in real time ⓘ |
| usesTechnique | extended techniques ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.