Disambiguation evidence for Symphony No. 5 via surface form
"Symphony No. 5 (Harbison)"
As subject (45)
Triples where this entity appears as subject under the
label "Symphony No. 5 (Harbison)".
| Predicate | Object |
|---|---|
| basedOnTextBy | Czesław Miłosz ⓘ |
| basedOnTextBy | Louise Glück ⓘ |
| basedOnTextBy | Rainer Maria Rilke ⓘ |
| basedOnTextBy | William Carlos Williams ⓘ |
| belongsTo | symphonies by John Harbison ⓘ |
| catalogueNumber | Harbison Symphony No. 5 ⓘ |
| commissionedBy | Boston Symphony Orchestra ⓘ |
| composer | John Harbison NERFINISHED ⓘ |
| composerFullName | John Harris Harbison NERFINISHED ⓘ |
| composerNationality | American ⓘ |
| compositionForm | symphonic song cycle ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| dedicatedTo | James Levine ⓘ |
| followedBy | Symphony No. 6 (Harbison) ⓘ |
| genre | contemporary classical music ⓘ |
| genre | orchestral music ⓘ |
| hasInstrumentation | orchestra and two vocal soloists ⓘ |
| hasPart | baritone solo ⓘ |
| hasPart | brass section ⓘ |
| hasPart | mezzo-soprano solo ⓘ |
| hasPart | percussion section ⓘ |
| hasPart | string orchestra ⓘ |
| hasPart | woodwind section ⓘ |
| instanceOf | contemporary classical composition ⓘ |
| instanceOf | orchestral work ⓘ |
| instanceOf | symphony ⓘ |
| intendedFor | concert performance ⓘ |
| language | English ⓘ |
| movement | I. Lento ⓘ |
| movement | II. Presto ⓘ |
| movement | III. Grave ⓘ |
| movement | IV. Allegro ⓘ |
| notableFor | integration of vocal soloists into symphonic texture ⓘ |
| notableFor | use of contemporary poetry ⓘ |
| partOf | late-20th-century symphonic repertoire ⓘ |
| period | late 20th century ⓘ |
| precededBy | Symphony No. 4 (Harbison) ⓘ |
| premiereConductor | James Levine ⓘ |
| premiereEnsemble | Boston Symphony Orchestra ⓘ |
| style | accessible ⓘ |
| style | modern ⓘ |
| subjectMatter | meditations on love and loss ⓘ |
| subjectMatter | reflections on mortality ⓘ |
| usesTextLanguage | English ⓘ |
| workTitle | Symphony No. 5 self-linksurface differs ⓘ |