24 Hour Psycho
E895759
24 Hour Psycho is a video installation by artist Douglas Gordon that slows Alfred Hitchcock’s film "Psycho" down to a 24-hour duration, transforming the viewing experience into a meditative exploration of time and memory.
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
appropriation art work
ⓘ
video installation ⓘ |
| artistBirthYear | 1966 ⓘ |
| artisticFocus |
cinematic perception
ⓘ
memory ⓘ time ⓘ |
| artistNationality | Scottish ⓘ |
| basedOn | Psycho NERFINISHED ⓘ |
| basedOnWorkBy | Alfred Hitchcock NERFINISHED ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| creator | Douglas Gordon NERFINISHED ⓘ |
| curatorialTheme |
deconstruction of narrative
ⓘ
expanded cinema ⓘ |
| displayMode | looped projection ⓘ |
| documentationForm |
exhibition catalogues
ⓘ
installation photographs ⓘ |
| exhibitedAt |
Guggenheim Museum, New York
NERFINISHED
ⓘ
Museum of Modern Art, New York NERFINISHED ⓘ Tate Modern, London NERFINISHED ⓘ |
| exhibitionFormat | single-channel video projection ⓘ |
| firstExhibitedAt | Govan Town Hall, Glasgow NERFINISHED ⓘ |
| firstExhibitedInContext | Glasgow’s Year of Culture 1990s programme GENERATED ⓘ |
| genre |
contemporary art
ⓘ
video art ⓘ |
| influenced | later time-based installations by Douglas Gordon ⓘ |
| installationEnvironment | darkened gallery space ⓘ |
| installationRuntime | 24 hours ⓘ |
| languageOfSourceFilm | English ⓘ |
| medium | video ⓘ |
| movement | conceptual art ⓘ |
| notableFeature |
emphasizes individual frames and gestures
ⓘ
removes conventional narrative suspense ⓘ slows Psycho to last exactly 24 hours ⓘ |
| originalFilmRuntime | approximately 109 minutes GENERATED ⓘ |
| projectionSpeed | extremely slow motion ⓘ |
| relatedWorkByArtist |
Feature Film
ⓘ
Through a Looking Glass NERFINISHED ⓘ |
| rightsHolderOfSourceFilm | Universal Pictures NERFINISHED ⓘ |
| soundtrackCharacteristic |
often perceived as near-silent in exhibition
ⓘ
slowed-down audio ⓘ |
| sourceFilmReleaseYear | 1960 ⓘ |
| subjectOf |
art historical analysis
ⓘ
film theory discussions ⓘ |
| techniqueUsed | time-stretching of existing film ⓘ |
| viewingExperience | non-linear entry and exit for viewers ⓘ |
| yearOfCreation | 1993 ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.