Little Women (stage adaptations including Good Wives material)
E893841
Little Women (stage adaptations including Good Wives material) refers to theatrical versions of Louisa May Alcott’s classic novel that combine the original Little Women story with plotlines and character developments from its sequel, Good Wives.
Statements (51)
| Predicate | Object |
|---|---|
| instanceOf |
stage adaptation tradition
ⓘ
theatrical adaptation cycle ⓘ |
| basedOn |
Good Wives (1869 novel)
NERFINISHED
ⓘ
Little Women (1868 novel) NERFINISHED ⓘ Little Women, or Meg, Jo, Beth and Amy (two‑part novel) NERFINISHED ⓘ |
| commonForm |
musical theatre adaptation
ⓘ
straight play ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| hasSourceAuthor | Louisa May Alcott NERFINISHED ⓘ |
| includesPlotMaterialFrom |
Good Wives (Part II of the novel)
GENERATED
ⓘ
Little Women (Part I of the novel) GENERATED ⓘ |
| influencedBy | 19th‑century domestic fiction conventions ⓘ |
| languageOfOrigin | English ⓘ |
| narrativeFocus |
Amy March
NERFINISHED
ⓘ
Aunt March NERFINISHED ⓘ Beth March NERFINISHED ⓘ Jo March NERFINISHED ⓘ John Brooke NERFINISHED ⓘ Laurie (Theodore Laurence) NERFINISHED ⓘ March family NERFINISHED ⓘ Marmee March NERFINISHED ⓘ Meg March NERFINISHED ⓘ Professor Bhaer NERFINISHED ⓘ |
| recurringSetting |
Concord, Massachusetts (fictionalized as the March home and surroundings)
NERFINISHED
ⓘ
Europe (for Amy and Laurie’s storyline) ⓘ New York boarding house (for Jo’s later life) ⓘ |
| structuralFeature |
condenses two novels into a single stage narrative
ⓘ
often divides action into childhood and adult acts ⓘ often uses episodic scenes linked by narration ⓘ |
| targetAudience |
family audiences
ⓘ
youth and school productions ⓘ |
| timeSpanCovered | from the March sisters’ adolescence to their early adulthood ⓘ |
| typicalMedium |
live theatre
ⓘ
proscenium stage ⓘ |
| typicalPlotElement |
Amy March’s artistic development
ⓘ
Beth March’s illness and death ⓘ Christmas scenes in the March household ⓘ Jo March’s literary ambitions ⓘ Jo’s decision about marriage and independence ⓘ Jo’s relationship with Professor Bhaer ⓘ Laurie’s eventual marriage to Amy ⓘ Laurie’s rejected proposal to Jo ⓘ Meg March’s marriage to John Brooke ⓘ domestic life in Civil War–era New England ⓘ |
| typicalProductionContext |
amateur theatre
ⓘ
regional and repertory theatres ⓘ |
| typicalTheme |
coming of age
ⓘ
family and sacrifice ⓘ female authorship ⓘ marriage and vocation ⓘ sisterhood ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.