The Passing of Shah Jahan

E880956

The Passing of Shah Jahan is a celebrated early 20th-century painting by Abanindranath Tagore that poignantly depicts the Mughal emperor Shah Jahan in his final days, exemplifying the Bengal School’s revivalist, nationalist aesthetics.

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The Passing of Shah Jahan canonical 1

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Predicate Object
instanceOf painting
alsoKnownAs Mrittyu Patra Shah Jahan-er NERFINISHED
artHistoricalSignificance key example of early 20th-century Indian painting
landmark work in the Bengal School’s canon
artisticSchool Bengal School NERFINISHED
artisticStyle revivalist aesthetics
associatedWith Indian nationalist movement
Swadeshi-era cultural revival
colorPalette muted tones
countryOfOrigin India
creator Abanindranath Tagore NERFINISHED
creatorMovement Bengal School of Art NERFINISHED
creatorNationality Indian
culturalContext Bengal Renaissance NERFINISHED
anti-colonial cultural assertion
depictionContext Shah Jahan imprisoned in Agra Fort
view of the Taj Mahal from a distance
depicts Mughal emperor
Shah Jahan NERFINISHED
final days of Shah Jahan
genre historical painting
nationalist art
inception early 20th century
influencedBy Japanese wash techniques
Mughal miniature painting
languageOfTitle English
mainSubject Mughal Empire NERFINISHED
decline of Mughal power
medium wash painting
watercolour
movement Bengal School of Art NERFINISHED
notableFor iconic work of the Bengal School
poignant portrayal of Shah Jahan’s last days
revival of Indian artistic traditions
period colonial India
portrays aged Shah Jahan
emotional suffering of Shah Jahan
emperor in physical decline
setting interior of Agra Fort
symbolizes Indian cultural memory of Mughal rule
loss of imperial glory
passing of an era
theme impermanence of power
melancholy
nationalist sentiment
nostalgia

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Abanindranath Tagore notableWork The Passing of Shah Jahan