Tommaso di Mone Cassai
E871020
Tommaso di Mone Cassai, better known as Masaccio, was an influential early Italian Renaissance painter whose innovative use of perspective and naturalism transformed Western art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Tommaso di Mone Cassai canonical | 1 |
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
Early Renaissance painter
ⓘ
Italian painter ⓘ Renaissance artist ⓘ human ⓘ |
| activeIn | Florence NERFINISHED ⓘ |
| alsoKnownAs |
Masaccio
NERFINISHED
ⓘ
Tommaso Cassai NERFINISHED ⓘ Tommaso Guidi NERFINISHED ⓘ |
| birthDate | 1401-12-21 ⓘ |
| birthPlace |
Republic of Florence
NERFINISHED
ⓘ
San Giovanni Valdarno NERFINISHED ⓘ |
| birthYear | 1401 ⓘ |
| causeOfDeath | unknown ⓘ |
| collaboratedWith | Masolino da Panicale NERFINISHED ⓘ |
| countryOfCitizenship | Republic of Florence NERFINISHED ⓘ |
| deathDate | 1428-01-01 ⓘ |
| deathYear | 1428 ⓘ |
| era | Quattrocento ⓘ |
| familyName | Cassai NERFINISHED ⓘ |
| field | painting ⓘ |
| genre | religious painting ⓘ |
| givenName | Tommaso NERFINISHED ⓘ |
| influenced |
Florentine Renaissance painters
ⓘ
Leonardo da Vinci NERFINISHED ⓘ Michelangelo NERFINISHED ⓘ Raphael NERFINISHED ⓘ |
| influencedBy |
Brunelleschi
NERFINISHED
ⓘ
Donatello NERFINISHED ⓘ Giotto NERFINISHED ⓘ |
| knownFor |
chiaroscuro modeling of form
ⓘ
innovative use of linear perspective ⓘ monumental, sculptural figures ⓘ naturalistic representation of figures ⓘ |
| movement |
Early Renaissance
NERFINISHED
ⓘ
Italian Renaissance NERFINISHED ⓘ |
| nationality | Italian ⓘ |
| notableWork |
Brancacci Chapel frescoes
NERFINISHED
ⓘ
Expulsion from the Garden of Eden NERFINISHED ⓘ Madonna and Child with Angels (Uffizi) NERFINISHED ⓘ Pisa Altarpiece NERFINISHED ⓘ San Giovenale Triptych NERFINISHED ⓘ The Holy Trinity NERFINISHED ⓘ The Tribute Money NERFINISHED ⓘ |
| placeOfDeath | Rome ⓘ |
| sibling | Giovanni di Ser Giovanni (Lo Scheggia) NERFINISHED ⓘ |
| significantEvent | helped establish systematic use of linear perspective in painting ⓘ |
| style |
illusionistic perspective
ⓘ
naturalism ⓘ |
| workLocation |
Brancacci Chapel, Santa Maria del Carmine, Florence
NERFINISHED
ⓘ
Santa Maria Novella, Florence NERFINISHED ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.