Swiss composer Frank Martin
E857656
Frank Martin was a prominent 20th-century Swiss composer known for his distinctive blend of French impressionism, German expressionism, and neoclassicism in works such as "Petite symphonie concertante" and "In terra pax."
All labels observed (1)
| Label | Occurrences |
|---|---|
| Swiss composer Frank Martin canonical | 1 |
Statements (51)
| Predicate | Object |
|---|---|
| instanceOf |
Swiss composer
ⓘ
composer ⓘ human ⓘ |
| awardReceived | Music Prize of the City of Zurich NERFINISHED ⓘ |
| birthName | Frank Martin NERFINISHED ⓘ |
| burialPlace | Naarden NERFINISHED ⓘ |
| compositionalStyle |
blend of French impressionism and German expressionism
ⓘ
use of neoclassical forms ⓘ |
| countryOfCitizenship | Switzerland ⓘ |
| countryOfDeath | Netherlands NERFINISHED ⓘ |
| dateOfBirth | 1890-09-15 ⓘ |
| dateOfDeath | 1974-11-21 ⓘ |
| educatedAt | Conservatoire de musique de Genève NERFINISHED ⓘ |
| genre |
chamber music
ⓘ
choral music ⓘ concertos ⓘ opera ⓘ orchestral music ⓘ |
| hasWorkType |
cantata
ⓘ
oratorio ⓘ song cycle ⓘ |
| influencedBy |
Arthur Honegger
NERFINISHED
ⓘ
Claude Debussy NERFINISHED ⓘ Johann Sebastian Bach NERFINISHED ⓘ |
| languageOfWork |
French
ⓘ
German ⓘ |
| movement |
20th-century classical music
ⓘ
French impressionism NERFINISHED ⓘ German expressionism NERFINISHED ⓘ neoclassicism ⓘ |
| name | Frank Martin NERFINISHED ⓘ |
| notableWork |
Concerto for seven wind instruments, timpani, percussion and string orchestra
NERFINISHED
ⓘ
Golgotha NERFINISHED ⓘ In terra pax NERFINISHED ⓘ Le vin herbé NERFINISHED ⓘ Mass for double choir NERFINISHED ⓘ Petite symphonie concertante NERFINISHED ⓘ |
| occupation |
composer
ⓘ
music teacher ⓘ pianist ⓘ |
| placeOfBirth | Geneva NERFINISHED ⓘ |
| placeOfDeath | Naarden NERFINISHED ⓘ |
| religion |
Protestant Christianity
ⓘ
surface form:
Protestantism
|
| residence |
Geneva
NERFINISHED
ⓘ
Naarden NERFINISHED ⓘ Zürich NERFINISHED ⓘ |
| taughtAt |
Conservatoire de musique de Genève
NERFINISHED
ⓘ
Institut Jaques-Dalcroze NERFINISHED ⓘ |
| usedTechnique |
modal harmony
ⓘ
polyphony ⓘ twelve-tone technique ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.