Les Maîtres fous
E854257
Les Maîtres fous is a 1955 ethnographic documentary film by Jean Rouch that portrays the ritual practices of the Hauka movement in colonial Ghana.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Les Maîtres fous canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10305248 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Les Maîtres fous Context triple: [Jean Rouch, notableWork, Les Maîtres fous]
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A.
Les Fâcheux
Les Fâcheux is a 1924 neoclassical ballet choreographed by Bronislava Nijinska, noted for its witty, stylized reinterpretation of Molière’s comedy within the Ballets Russes repertoire.
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B.
La Folie du Jour
La Folie du Jour was a celebrated Parisian music-hall revue in which Josephine Baker rose to fame with her groundbreaking, provocative performances during the 1920s.
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C.
L’Interdit
L’Interdit is a significant painting by French academic artist Jean-Paul Laurens, known for its dramatic historical subject matter and somber, realist style.
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D.
Le Doyen
Le Doyen is the historic Algerian football club MC Alger, renowned as one of the country’s oldest and most prestigious teams.
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E.
Le Rapport de Brodeck
Le Rapport de Brodeck is a critically acclaimed novel by Philippe Claudel that follows a traumatized survivor in a remote village as he investigates a mysterious crime, exploring themes of guilt, memory, and collective responsibility.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Les Maîtres fous Target entity description: Les Maîtres fous is a 1955 ethnographic documentary film by Jean Rouch that portrays the ritual practices of the Hauka movement in colonial Ghana.
-
A.
Les Fâcheux
Les Fâcheux is a 1924 neoclassical ballet choreographed by Bronislava Nijinska, noted for its witty, stylized reinterpretation of Molière’s comedy within the Ballets Russes repertoire.
-
B.
La Folie du Jour
La Folie du Jour was a celebrated Parisian music-hall revue in which Josephine Baker rose to fame with her groundbreaking, provocative performances during the 1920s.
-
C.
L’Interdit
L’Interdit is a significant painting by French academic artist Jean-Paul Laurens, known for its dramatic historical subject matter and somber, realist style.
-
D.
Le Doyen
Le Doyen is the historic Algerian football club MC Alger, renowned as one of the country’s oldest and most prestigious teams.
-
E.
Le Rapport de Brodeck
Le Rapport de Brodeck is a critically acclaimed novel by Philippe Claudel that follows a traumatized survivor in a remote village as he investigates a mysterious crime, exploring themes of guilt, memory, and collective responsibility.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
ethnographic documentary film
ⓘ
short documentary film ⓘ |
| archiveHeldAt |
CNRS audiovisual archives
NERFINISHED
ⓘ
Cinémathèque française NERFINISHED ⓘ |
| cinematographyBy | Jean Rouch NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| depicts |
Hauka movement
NERFINISHED
ⓘ
colonialism ⓘ possession rituals ⓘ ritual sacrifice of a dog ⓘ spirit possession ⓘ |
| director | Jean Rouch NERFINISHED ⓘ |
| discussedIn |
postcolonial film studies
ⓘ
visual anthropology scholarship ⓘ |
| editingBy | Jean Rouch NERFINISHED ⓘ |
| filmingLocation |
Accra
NERFINISHED
ⓘ
Gold Coast NERFINISHED ⓘ colonial Ghana ⓘ |
| firstScreenedAt | France GENERATED ⓘ |
| genre |
documentary film
ⓘ
ethnographic film ⓘ |
| hasControversy |
ethical issues in ethnographic representation
ⓘ
use of animal sacrifice on screen ⓘ |
| hasTheme |
colonial power relations
ⓘ
mimicry of colonial authorities ⓘ possession and trance ⓘ ritual and modernity ⓘ |
| movement |
cinéma vérité
ⓘ
ethnofiction tradition ⓘ |
| narrator | Jean Rouch NERFINISHED ⓘ |
| notableFor |
controversial depiction of ritual violence
ⓘ
early example of cinéma vérité style ⓘ influence on visual anthropology ⓘ |
| originalLanguage | French ⓘ |
| partOf | Jean Rouch filmography NERFINISHED ⓘ |
| portrays |
British colonial administration
ⓘ
Hauka spirits NERFINISHED ⓘ ritual imitation of European officers ⓘ |
| producer | Jean Rouch NERFINISHED ⓘ |
| productionCompany | Comité du film ethnographique NERFINISHED ⓘ |
| publicationDate | 1955 ⓘ |
| releaseYear | 1955 ⓘ |
| runtimeMinutes | 36 ⓘ |
| setInPeriod | British colonial rule in Gold Coast ⓘ |
| subject | Nigerien migrant workers in Ghana ⓘ |
| title | Les Maîtres fous NERFINISHED ⓘ |
| translatedTitle | The Mad Masters NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Les Maîtres fous Description of subject: Les Maîtres fous is a 1955 ethnographic documentary film by Jean Rouch that portrays the ritual practices of the Hauka movement in colonial Ghana.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.