Symphony No. 7
E844623
Symphony No. 7 is a large-scale orchestral work by Ralph Vaughan Williams, adapted from his film score for "Scott of the Antarctic" and notable for its evocative depiction of polar landscapes.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 7 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10088321 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 7 Context triple: [Symphony No. 7 "Sinfonia antartica", catalogNumber, Symphony No. 7]
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A.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
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B.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and interest in symphonic tradition.
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C.
Symphony No. 7 in E minor
Symphony No. 7 in E minor is a large-scale, five-movement orchestral work by Gustav Mahler, noted for its complex structure, darkly enigmatic character, and innovative orchestration.
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D.
Symphony No. 6
Symphony No. 6 is Pyotr Ilyich Tchaikovsky’s final symphony, renowned for its intense emotional depth and tragic character.
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E.
Symphony No. 6
Symphony No. 6 is Gustav Mahler’s intensely dramatic and often tragic orchestral work, renowned for its emotional depth, powerful orchestration, and the iconic “hammer blows” in its finale.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 7 Target entity description: Symphony No. 7 is a large-scale orchestral work by Ralph Vaughan Williams, adapted from his film score for "Scott of the Antarctic" and notable for its evocative depiction of polar landscapes.
-
A.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Malcolm Arnold, reflecting his distinctive blend of vivid orchestration, emotional intensity, and accessible modernism.
-
B.
Symphony No. 7
Symphony No. 7 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and interest in symphonic tradition.
-
C.
Symphony No. 7 in E minor
Symphony No. 7 in E minor is a large-scale, five-movement orchestral work by Gustav Mahler, noted for its complex structure, darkly enigmatic character, and innovative orchestration.
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D.
Symphony No. 6
Symphony No. 6 is Pyotr Ilyich Tchaikovsky’s final symphony, renowned for its intense emotional depth and tragic character.
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E.
Symphony No. 6
Symphony No. 6 is Gustav Mahler’s intensely dramatic and often tragic orchestral work, renowned for its emotional depth, powerful orchestration, and the iconic “hammer blows” in its finale.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
programmatic composition
ⓘ
symphony ⓘ |
| alsoKnownAs | Sinfonia antartica NERFINISHED ⓘ |
| basedOn | film score for Scott of the Antarctic ⓘ |
| cataloguePosition | one of Vaughan Williams’s late symphonies ⓘ |
| composer | Ralph Vaughan Williams NERFINISHED ⓘ |
| compositionPeriod | early 1950s ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| dedicatedTo | (information not certain; often associated with Scott and his companions) ⓘ |
| era | 20th century ⓘ |
| firstPerformanceLocation | United Kingdom (exact city not specified here) ⓘ |
| genre |
classical music
ⓘ
symphonic music ⓘ |
| hasChorus | yes ⓘ |
| hasEpigraphs | literary quotations preceding movements ⓘ |
| hasTextedVoices | wordless vocalization rather than full text ⓘ |
| inCatalogueOf | works of Ralph Vaughan Williams ⓘ |
| inspiredBy | Antarctic expeditions of Robert Falcon Scott NERFINISHED ⓘ |
| key | E minor (approximate overall tonal center) ⓘ |
| languageOfText | Latin (for some epigraphs and choral elements) ⓘ |
| movement |
Epilogue
ⓘ
Intermezzo ⓘ Landscape ⓘ Prelude NERFINISHED ⓘ Scherzo ⓘ |
| movementCount | 5 ⓘ |
| notableFor |
evocative depiction of polar landscapes
ⓘ
use of organ in the orchestral texture ⓘ use of wordless chorus ⓘ |
| numberInSeries | 7 ⓘ |
| orchestrationFeature |
celesta
ⓘ
large orchestra ⓘ organ ⓘ percussion emphasizing icy atmosphere ⓘ piano ⓘ wind machine ⓘ wordless female chorus ⓘ |
| partOf | symphonies of Ralph Vaughan Williams ⓘ |
| premiereYear | 1953 ⓘ |
| relatedWork | film Scott of the Antarctic ⓘ |
| relatedWorkType | adaptation of film score ⓘ |
| style |
20th-century tonal
ⓘ
English symphonic tradition ⓘ |
| subjectMatter |
Antarctic landscape
ⓘ
Scott’s Antarctic expedition ⓘ human struggle against nature ⓘ |
| typicalDuration | approximately 45 minutes ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 7 Description of subject: Symphony No. 7 is a large-scale orchestral work by Ralph Vaughan Williams, adapted from his film score for "Scott of the Antarctic" and notable for its evocative depiction of polar landscapes.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.