Ideen zu einer Ästhetik der Tonkunst

E841999

Ideen zu einer Ästhetik der Tonkunst is an influential 18th-century theoretical work on musical aesthetics by Christian Friedrich Daniel Schubart, exploring the emotional and expressive character of keys and musical forms.

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Statements (46)

Predicate Object
instanceOf book
music aesthetics treatise
theoretical work
associatedWithPerson Christian Friedrich Daniel Schubart NERFINISHED
author Christian Friedrich Daniel Schubart NERFINISHED
countryOfOrigin Germany
discusses emotional qualities of major and minor keys
expressive potential of musical forms
listener’s emotional response to music
relationship between poetry and music
role of the composer as expressive artist
genre music theory
hasConcept aesthetic judgment in music
emotional expression in music
key characteristics
relationship between music and affect
symbolic meaning of musical keys
hasInfluenceOn 19th-century key characteristic theories
Romantic concept of musical expression
hasReception considered an influential contribution to 18th-century music aesthetics
frequently cited in discussions of key characteristics
historicalPeriod late 18th century
influencedField Romantic music aesthetics
music aesthetics
music theory
intendedAudience aestheticians
music theorists
musicians
language German
literaryForm prose
mainSubject affective character of musical keys
expressive character of musical forms
musical aesthetics
medium print
movementContext Enlightenment aesthetics
Sturm und Drang NERFINISHED
philosophicalTradition aesthetics
philosophy of art
publicationCentury 18th century
relatedDiscipline literary studies
musicology
philosophy
title Ideen zu einer Ästhetik der Tonkunst NERFINISHED
workFocus normative claims about musical beauty
systematic description of key affects
workScope theoretical

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Christian Friedrich Daniel Schubart notableWork Ideen zu einer Ästhetik der Tonkunst