Concerto quasi una fantasia
E840846
Concerto quasi una fantasia is a 20th-century concert work by composer Arthur Benjamin that blends the structural freedom of a fantasia with the virtuosic and orchestral forces of a concerto.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Concerto quasi una fantasia canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10089015 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Concerto quasi una fantasia Context triple: [Arthur Benjamin, notableWork, Concerto quasi una fantasia]
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A.
Sonata quasi una fantasia
"Sonata quasi una fantasia" is the original descriptive title given by Beethoven to his Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, later famously nicknamed the "Moonlight" Sonata.
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B.
Concerto in F
Concerto in F is a three-movement jazz-influenced classical concerto for piano and orchestra by American composer George Gershwin, first performed in 1925.
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C.
Fantasie in C major
Fantasie in C major, Op. 17 is a large-scale Romantic piano work by Robert Schumann, renowned for its passionate intensity and structural originality.
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D.
Warsaw Concerto
The Warsaw Concerto is a short, romantic piano and orchestra piece composed in 1941 in a lush, Rachmaninoff-like style for the British film "Dangerous Moonlight."
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E.
Concerto da Chiesa
Concerto da Chiesa is an orchestral work by British composer George Dyson that reflects his lyrical, tonal style and affinity for traditional forms.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Concerto quasi una fantasia Target entity description: Concerto quasi una fantasia is a 20th-century concert work by composer Arthur Benjamin that blends the structural freedom of a fantasia with the virtuosic and orchestral forces of a concerto.
-
A.
Sonata quasi una fantasia
"Sonata quasi una fantasia" is the original descriptive title given by Beethoven to his Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2, later famously nicknamed the "Moonlight" Sonata.
-
B.
Concerto in F
Concerto in F is a three-movement jazz-influenced classical concerto for piano and orchestra by American composer George Gershwin, first performed in 1925.
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C.
Fantasie in C major
Fantasie in C major, Op. 17 is a large-scale Romantic piano work by Robert Schumann, renowned for its passionate intensity and structural originality.
-
D.
Warsaw Concerto
The Warsaw Concerto is a short, romantic piano and orchestra piece composed in 1941 in a lush, Rachmaninoff-like style for the British film "Dangerous Moonlight."
-
E.
Concerto da Chiesa
Concerto da Chiesa is an orchestral work by British composer George Dyson that reflects his lyrical, tonal style and affinity for traditional forms.
- F. None of above. chosen
Statements (28)
| Predicate | Object |
|---|---|
| instanceOf |
concertante work
ⓘ
orchestral composition ⓘ |
| composer | Arthur Benjamin NERFINISHED ⓘ |
| composerNationality | Australian-British ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| dedicatedTo | a virtuoso soloist (unspecified) ⓘ |
| form | fantasia ⓘ |
| genre | concerto ⓘ |
| hasCharacteristic |
blends concerto and fantasia elements
ⓘ
contrasting sections ⓘ emphasis on soloist display ⓘ lyrical themes ⓘ orchestral color writing ⓘ romantic-tinged harmonic language ⓘ |
| hasFeature |
orchestral accompaniment
ⓘ
structural freedom characteristic of a fantasia ⓘ virtuosic writing ⓘ |
| hasMovementStructure | continuous, fantasia-like structure ⓘ |
| hasTitleQualifier | quasi una ⓘ |
| hasTitleWord |
Concerto
ⓘ
fantasia ⓘ |
| influencedBy |
fantasia form of the 19th century
ⓘ
romantic concerto tradition ⓘ |
| period | 20th century ⓘ |
| style | 20th-century classical music ⓘ |
| titleLanguage | Italian ⓘ |
| titleTranslation | Concerto almost a fantasia ⓘ |
| usesForces | solo instrument and orchestra ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Concerto quasi una fantasia Description of subject: Concerto quasi una fantasia is a 20th-century concert work by composer Arthur Benjamin that blends the structural freedom of a fantasia with the virtuosic and orchestral forces of a concerto.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.