Who Cares if You Listen?
E839762
"Who Cares if You Listen?" is a famous 1958 essay by composer Milton Babbitt that defends the autonomy and complexity of contemporary classical music and questions the necessity of broad public appeal.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Who Cares if You Listen? canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10073119 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Who Cares if You Listen? Context triple: [Milton Babbitt, notableWork, Who Cares if You Listen?]
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A.
Is Everybody Listening?
"Is Everybody Listening?" is a live album by the British rock band Supertramp, capturing one of their mid-1970s concert performances.
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B.
I Am Listening
"I Am Listening" is a creative work whose title matches its own name, likely a book, song, or other media piece centered on themes of attention and communication.
-
C.
I Am Listening
"I Am Listening" is a work by acclaimed American playwright and director Moss Hart, known for his influential contributions to 20th-century theater.
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D.
Learn to Listen
"Learn to Listen" is a track by the electronic music duo Brain Drain, known for its atmospheric production and introspective tone.
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E.
What Do You Care What Other People Think?
"What Do You Care What Other People Think?" is a posthumously published autobiographical book by physicist Richard Feynman that collects personal anecdotes, reflections on science, and his role in the investigation of the Challenger disaster.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Who Cares if You Listen? Target entity description: "Who Cares if You Listen?" is a famous 1958 essay by composer Milton Babbitt that defends the autonomy and complexity of contemporary classical music and questions the necessity of broad public appeal.
-
A.
Is Everybody Listening?
"Is Everybody Listening?" is a live album by the British rock band Supertramp, capturing one of their mid-1970s concert performances.
-
B.
I Am Listening
"I Am Listening" is a creative work whose title matches its own name, likely a book, song, or other media piece centered on themes of attention and communication.
-
C.
I Am Listening
"I Am Listening" is a work by acclaimed American playwright and director Moss Hart, known for his influential contributions to 20th-century theater.
-
D.
Learn to Listen
"Learn to Listen" is a track by the electronic music duo Brain Drain, known for its atmospheric production and introspective tone.
-
E.
What Do You Care What Other People Think?
"What Do You Care What Other People Think?" is a posthumously published autobiographical book by physicist Richard Feynman that collects personal anecdotes, reflections on science, and his role in the investigation of the Challenger disaster.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
essay
ⓘ
music aesthetics essay ⓘ |
| argues |
complex musical languages require specialized training to understand
ⓘ
composers should be free from commercial pressures ⓘ contemporary serious music need not appeal to a mass audience ⓘ the composer of advanced music is analogous to a scientific specialist ⓘ universities can provide a supportive environment for advanced composition ⓘ |
| associatedWith |
Princeton School of composition
NERFINISHED
ⓘ
postwar serialism ⓘ |
| author | Milton Babbitt NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| discussedIn |
debates on cultural elitism
ⓘ
music theory literature ⓘ musicology scholarship ⓘ |
| editorialChange | title changed by High Fidelity editors from The Composer as Specialist ⓘ |
| field |
composition
ⓘ
music aesthetics ⓘ musicology ⓘ |
| genre |
aesthetic essay
ⓘ
music criticism ⓘ non-fiction ⓘ |
| hasPerspective | modernist ⓘ |
| hasReputation |
defensive of academic new music
ⓘ
provocative ⓘ |
| influenced |
discourse on new music in the United States
ⓘ
perceptions of academic composers ⓘ |
| language | English ⓘ |
| mainSubject |
audience reception
ⓘ
autonomy of art ⓘ composer–audience relationship ⓘ contemporary classical music ⓘ modernism in music ⓘ music theory ⓘ serialism ⓘ |
| notableFor |
controversial title
ⓘ
impact on debates about elitism in contemporary music ⓘ influential defense of academic serialism ⓘ |
| originalTitle | The Composer as Specialist NERFINISHED ⓘ |
| positionOnAudience | questions the necessity of broad public appeal ⓘ |
| positionOnMusic | defends autonomy and complexity of contemporary classical music ⓘ |
| publicationType | magazine article ⓘ |
| publicationYear | 1958 ⓘ |
| publishedIn | High Fidelity NERFINISHED ⓘ |
| targetAudience |
educated lay readers interested in contemporary music
ⓘ
music theorists ⓘ musicians ⓘ musicologists ⓘ |
| timePeriodDiscussed | mid-20th-century American music ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Who Cares if You Listen? Description of subject: "Who Cares if You Listen?" is a famous 1958 essay by composer Milton Babbitt that defends the autonomy and complexity of contemporary classical music and questions the necessity of broad public appeal.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.