Post-Partitions
E839741
"Post-Partitions" is a seminal serial composition by American composer and theorist Milton Babbitt, exemplifying his highly structured, mathematically rigorous approach to twelve-tone music.
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
musical composition
ⓘ
serial composition ⓘ twelve-tone composition ⓘ |
| associatedWith | music theory discourse ⓘ |
| composer | Milton Babbitt NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Milton Babbitt NERFINISHED ⓘ |
| genre |
contemporary classical music
ⓘ
post-tonal music ⓘ serialism ⓘ |
| hasCharacteristic |
complex rhythmic organization
ⓘ
highly structured ⓘ mathematically rigorous ⓘ systematic pitch organization ⓘ theoretical orientation ⓘ |
| hasReputation |
demanding for performers and analysts
ⓘ
seminal work in serial composition ⓘ |
| hasThematicFocus | systematic partitioning of the twelve-tone row ⓘ |
| hasTypeOfSerialism | total serialism ⓘ |
| influencedBy |
Arnold Schoenberg
NERFINISHED
ⓘ
Second Viennese School NERFINISHED ⓘ |
| languageOfWork | music ⓘ |
| movement | American serialism ⓘ |
| notableFor |
advanced twelve-tone combinatorial techniques
ⓘ
exemplifying Babbitt’s mature serial style ⓘ rigorous formal design ⓘ |
| partOf | 20th-century classical repertoire ⓘ |
| studiedIn | academic music theory literature ⓘ |
| uses |
integral serialism
ⓘ
twelve-tone technique ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.