Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen
E839283
Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen is a scholarly study by Audrey Bilger that examines how these three women writers used humor and comic narrative to challenge gender norms and patriarchal authority in the late eighteenth and early nineteenth centuries.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T10076303 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen Context triple: [Audrey Bilger, notableWork, Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen]
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A.
A Memoir of Jane Austen
A Memoir of Jane Austen is an 1869 biographical work by her nephew James Edward Austen-Leigh that offers a foundational, intimate portrait of the novelist’s life and family.
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B.
Brutus and Other Heroines: Playing Shakespeare’s Roles for Women
Brutus and Other Heroines: Playing Shakespeare’s Roles for Women is a memoir and critical reflection by actor Harriet Walter on performing Shakespeare’s female and traditionally male roles, exploring gender, power, and interpretation in classical theatre.
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C.
The Fantasy of Feminist History
The Fantasy of Feminist History is a scholarly book by historian Joan W. Scott that critically examines how feminist histories are constructed, narrated, and imagined.
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D.
The Female Spectator
The Female Spectator is an 18th-century periodical often regarded as the first English magazine written by a woman, offering essays on morality, conduct, and women's lives.
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E.
The Female Right to Literature
The Female Right to Literature is an 18th-century essay by Thomas Seward that argues women should have equal access to education and literary pursuits.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen Target entity description: Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen is a scholarly study by Audrey Bilger that examines how these three women writers used humor and comic narrative to challenge gender norms and patriarchal authority in the late eighteenth and early nineteenth centuries.
-
A.
A Memoir of Jane Austen
A Memoir of Jane Austen is an 1869 biographical work by her nephew James Edward Austen-Leigh that offers a foundational, intimate portrait of the novelist’s life and family.
-
B.
Brutus and Other Heroines: Playing Shakespeare’s Roles for Women
Brutus and Other Heroines: Playing Shakespeare’s Roles for Women is a memoir and critical reflection by actor Harriet Walter on performing Shakespeare’s female and traditionally male roles, exploring gender, power, and interpretation in classical theatre.
-
C.
The Fantasy of Feminist History
The Fantasy of Feminist History is a scholarly book by historian Joan W. Scott that critically examines how feminist histories are constructed, narrated, and imagined.
-
D.
The Female Spectator
The Female Spectator is an 18th-century periodical often regarded as the first English magazine written by a woman, offering essays on morality, conduct, and women's lives.
-
E.
The Female Right to Literature
The Female Right to Literature is an 18th-century essay by Thomas Seward that argues women should have equal access to education and literary pursuits.
- F. None of above. chosen
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
scholarly study ⓘ |
| analyzesWorkOf |
Frances Burney
NERFINISHED
ⓘ
Jane Austen NERFINISHED ⓘ Maria Edgeworth NERFINISHED ⓘ |
| approach |
feminist theory
ⓘ
humor studies ⓘ |
| author | Audrey Bilger NERFINISHED ⓘ |
| examines |
comic techniques used by women novelists
ⓘ
relationship between comedy and power ⓘ representation of women in comic fiction ⓘ |
| field |
eighteenth-century studies
ⓘ
feminist literary criticism ⓘ literary criticism ⓘ nineteenth-century studies ⓘ |
| focusesOn |
challenge to gender norms
ⓘ
challenge to patriarchal authority ⓘ comic narrative strategies ⓘ use of humor by women writers ⓘ |
| genre | literary scholarship ⓘ |
| language | English ⓘ |
| literaryPeriodCovered |
early nineteenth century
ⓘ
late eighteenth century ⓘ |
| mainTheme |
feminism
ⓘ
gender norms ⓘ patriarchal authority ⓘ subversive comedy ⓘ |
| subject |
Frances Burney
NERFINISHED
ⓘ
Jane Austen NERFINISHED ⓘ Maria Edgeworth NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen Description of subject: Laughing Feminism: Subversive Comedy in Frances Burney, Maria Edgeworth, and Jane Austen is a scholarly study by Audrey Bilger that examines how these three women writers used humor and comic narrative to challenge gender norms and patriarchal authority in the late eighteenth and early nineteenth centuries.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.