“SAMO© as an alternative to playing art with the ‘radical chic’ sect on Daddy’s $ funds.”

E829847

“SAMO© as an alternative to playing art with the ‘radical chic’ sect on Daddy’s $ funds.” is a graffiti text piece associated with the SAMO© tag used by Jean-Michel Basquiat and Al Diaz, satirizing elitist, moneyed art-world culture in late-1970s New York.

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Observed surface forms (1)

Statements (45)

Predicate Object
instanceOf graffiti text piece
street art work
artForm text-based graffiti
artisticIntention to mock ‘radical chic’ posturing
to satirize moneyed art-world culture
associatedPlace Lower East Side NERFINISHED
SoHo NERFINISHED
associatedWith Al Diaz NERFINISHED
Jean-Michel Basquiat NERFINISHED
SAMO© NERFINISHED
countryOfOrigin United States of America
surface form: United States
criticizes elitist art-world culture
performative radical politics in art
wealthy art patrons
culturalContext New York City graffiti culture
late-1970s downtown Manhattan
depicts Daddy’s money-funded art scene
‘radical chic’ sect
genre conceptual art
graffiti
hasCreator Al Diaz NERFINISHED
Jean-Michel Basquiat NERFINISHED
hasTag SAMO© NERFINISHED
hasTheme anti-establishment sentiment
class critique
social criticism
language English
locatedIn Manhattan
New York City
mainSubject critique of art-world commercialization
critique of elitism
radical chic culture
satire of wealthy patrons
medium marker
spray paint
movement Downtown New York art scene
street art
notableFor early example of Basquiat’s social critique
use of trademark symbol © in street tag
partOf SAMO© graffiti series NERFINISHED
relatedTo New York City art-world of the 1970s
post-graffiti art movement
style cryptic slogan
ironic text
timePeriod late 1970s

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

SAMO notableWorkExample “SAMO© as an alternative to playing art with the ‘radical chic’ sect on Daddy’s $ funds.”