Symphony No. 4 in A major, Op. 53
E819485
Symphony No. 4 in A major, Op. 53 is a late orchestral work by French composer Albert Roussel, noted for its concise form, rhythmic vitality, and vivid orchestration.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 4 in A major, Op. 53 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T9730237 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 4 in A major, Op. 53 Context triple: [Albert Roussel, notableWork, Symphony No. 4 in A major, Op. 53]
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A.
Symphony No. 4 in B-flat major, Op. 60
Symphony No. 4 in B-flat major, Op. 60 is a symphony by Ludwig van Beethoven, noted for its comparatively light, lyrical character and classical clarity between the more dramatic Third and Fifth Symphonies.
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B.
Symphony No. 4 in F minor, Op. 36
Symphony No. 4 in F minor, Op. 36 is a dramatic and emotionally charged orchestral work by Pyotr Ilyich Tchaikovsky, renowned for its powerful "fate" motif and rich Romantic expression.
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C.
Symphony No. 4 in D minor, Op. 95
Symphony No. 4 in D minor, Op. 95 is a large-scale Romantic symphony by Russian composer Anton Rubinstein, noted for its dramatic intensity and rich orchestration.
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D.
Symphony No. 4 in A major
Symphony No. 4 in A major is Felix Mendelssohn’s vibrant and lyrical “Italian” symphony, celebrated for its sunny character and evocation of Mediterranean landscapes.
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E.
Symphony No. 4
Symphony No. 4 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and interest in symphonic tradition.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 4 in A major, Op. 53 Target entity description: Symphony No. 4 in A major, Op. 53 is a late orchestral work by French composer Albert Roussel, noted for its concise form, rhythmic vitality, and vivid orchestration.
-
A.
Symphony No. 4 in B-flat major, Op. 60
Symphony No. 4 in B-flat major, Op. 60 is a symphony by Ludwig van Beethoven, noted for its comparatively light, lyrical character and classical clarity between the more dramatic Third and Fifth Symphonies.
-
B.
Symphony No. 4 in F minor, Op. 36
Symphony No. 4 in F minor, Op. 36 is a dramatic and emotionally charged orchestral work by Pyotr Ilyich Tchaikovsky, renowned for its powerful "fate" motif and rich Romantic expression.
-
C.
Symphony No. 4 in D minor, Op. 95
Symphony No. 4 in D minor, Op. 95 is a large-scale Romantic symphony by Russian composer Anton Rubinstein, noted for its dramatic intensity and rich orchestration.
-
D.
Symphony No. 4 in A major
Symphony No. 4 in A major is Felix Mendelssohn’s vibrant and lyrical “Italian” symphony, celebrated for its sunny character and evocation of Mediterranean landscapes.
-
E.
Symphony No. 4
Symphony No. 4 is a large-scale orchestral work by British composer Peter Maxwell Davies, reflecting his distinctive modernist style and interest in symphonic tradition.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf | symphony ⓘ |
| associatedWithConductor | Charles Munch NERFINISHED ⓘ |
| associatedWithOrchestra | Boston Symphony Orchestra NERFINISHED ⓘ |
| catalogueStatus | major orchestral work in Roussel’s output ⓘ |
| characteristic |
concise form
ⓘ
rhythmic vitality ⓘ vivid orchestration ⓘ |
| chronologicalPositionInComposerOutput | late work ⓘ |
| completionYear | 1934 ⓘ |
| composer | Albert Roussel NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| dedicatedTo | Charles Munch NERFINISHED ⓘ |
| firstPublicationYear | 1936 ⓘ |
| follows | Symphony No. 3 in G minor, Op. 42 NERFINISHED ⓘ |
| genre | symphony ⓘ |
| hasInstrumentation |
possibly harp (in some performances/scores)
ⓘ
woodwinds, brass, percussion, strings ⓘ |
| influencedBy |
classical symphonic tradition
ⓘ
impressionism (to a limited extent) ⓘ |
| influences | French neoclassicism ⓘ |
| key | A major ⓘ |
| language | none (instrumental) ⓘ |
| movement |
I. Lento – Allegro con brio
ⓘ
II. Lento molto ⓘ III. Allegro scherzando ⓘ IV. Allegro con spirito ⓘ |
| movementCount | 4 ⓘ |
| nationalSchool | French music ⓘ |
| notableFeature |
colorful orchestral textures
ⓘ
compact symphonic design ⓘ complex rhythms ⓘ |
| numberInSeries | 4 ⓘ |
| opusNumber | Op. 53 ⓘ |
| orchestration | full symphony orchestra ⓘ |
| placeOfComposition | France NERFINISHED ⓘ |
| precedes | none (last symphony by Roussel) ⓘ |
| premiereConductor | Albert Wolff NERFINISHED ⓘ |
| premiereDate | 1935-10-19 ⓘ |
| premiereEnsemble | Orchestre de la Société des Concerts du Conservatoire NERFINISHED ⓘ |
| premierePlace | Paris NERFINISHED ⓘ |
| publisher | Durand NERFINISHED ⓘ |
| stylePeriod | 20th-century classical music ⓘ |
| tonalLanguage | tonal with modal and modernist elements ⓘ |
| typicalDuration | about 25 minutes ⓘ |
| workCatalogueNumber | Op. 53 ⓘ |
| yearOfComposition | 1934 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 4 in A major, Op. 53 Description of subject: Symphony No. 4 in A major, Op. 53 is a late orchestral work by French composer Albert Roussel, noted for its concise form, rhythmic vitality, and vivid orchestration.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.